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...power tower systems. Large arrays of computer-directed mirrors, or heliostats, reflect and concentrate the sunlight on a tower containing a steam boiler linked to an electricity-producing turbine. This October, Southern California Edison Co. will start building the nation's first such device linked to a power grid. Located in Daggett, Calif., it will have as many as 1,800 mirrors and during the day should generate 10 megawatts of power, enough for the needs of several thousand homes. Cost: $116 million...

Author: /time Magazine | Title: Business: Energy: Fuels off the Future | 6/11/1979 | See Source »

Clearly pleased by NRC's compromise decision, Lee did something of an about-face. At week's end, he predicted that the "outages"-jargon for when a generator is out of the power grid-would be of "very short duration." Certainly, he said, they would not last into the peak summer season. But Harold Denton, the NRC's reactor regulations chief, was more skeptical. Something of a hero in the nuclear field for his cool troubleshooting at Three Mile Island in the wake of March's accident, he insisted that all B & W pressurized water reactors...

Author: /time Magazine | Title: Nation: Nixing Nukes | 5/7/1979 | See Source »

...felt in the 1979 Whitney Biennial is, oddly enough, minimalism−a style made up of simple, primary, uninflected forms, usually garnished with tangled masses of oversubtilized criticism. Less, these days, does not seem to be more, especially when the work in question is yet another empty grid by Sol LeWitt, or something like Richard Serra's Toll, 1978-79−three walls of a gallery enclosure painted dead, oily black. In the past, some of Serra's sculptures have been memorable, their slabs and rolls of lead or iron imbued with a harshly macho directness. Compared with...

Author: /time Magazine | Title: Art: Roundup at the Whitney Corral | 2/26/1979 | See Source »

These structures retreating behind glitter are like elephants coyly dissembling themselves. The trouble with such high colloquial slickness is that since the walls do not even have the visible grid of columns, lintels and glass to lend them scale, they take on an even more remote and intimidating look than those done in the International Style. They are "abstract shimmering things," as one critic, Robert Jensen, wrote, "sealed from all memory...

Author: /time Magazine | Title: Doing Their Own Thing | 1/8/1979 | See Source »

...years later. During his long association with the International Style, he built some of its canonical late buildings, notably his own glass house on his estate at New Canaan (1959) and, with Mies, Manhattan's Seagram Building (1958), which survives as the virtual Parthenon of glass-grid architecture. But unlike some other men of his generation, Johnson kept his restless, stylish sense of incongruity and his loathing of repetition. He is the Balanchine of architecture. His range is wide, running from the Renaissance monumentalism of the A T & T building to the airy glass cathedral now in progress...

Author: /time Magazine | Title: Architecture: The Maverick Designer | 1/8/1979 | See Source »

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