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...sparkling exception to the rule is Minneapolis' Northwestern National Life Insurance Co. headquarters. Designed by Minoru Yamasaki (TIME cover, Jan. 18, 1963) and inaugurated last week, it not only makes peace with the city's complex grid, but frames a vital view into the city's 24-block Gateway Center redevelopment project...

Author: /time Magazine | Title: Architecture: A Porch for Pedestrians | 1/22/1965 | See Source »

...assortment of dips, hills and fast curves that are taken at upwards of 150 m.p.h. But last week Solitude was downright dangerous. A cloudburst turned the asphalt slick as ice; and it was still pouring dime-sized drops when 18 Formula I cars roared away from the grid, roostertails of spray streaming in their wake...

Author: /time Magazine | Title: Auto Racing: Zinging in the Rain | 7/31/1964 | See Source »

...transmission line, the same valves are used in a different hookup. The current flowing through their mercury vapor is stopped and started by a control-voltage applied to a grid. This second switching produces alternating current that can be fed into transformers and reduced to the low voltages needed by the customers...

Author: /time Magazine | Title: Engineering: D.C. on the Wires | 7/31/1964 | See Source »

...brain's arterial roundabout, the Circle of Willis, by drilling a hole in the patient's skull under a local anesthetic and inserting a stainless steel needle (see diagram). This has a hairlike electrode tip only 1/250 in. in diameter, which is positioned precisely by a double-grid system of X rays (see photos). The tip is the positive electrode for a minute current. The negative electrode is attached outside the skull. Within half an hour the iron in the electrode is "plated off" (in effect, dissolved), and much of it goes into the electrically induced blood clot...

Author: /time Magazine | Title: Surgery: Wired for Health | 7/10/1964 | See Source »

...only painter who might be much at home in any Western city's modern museum is Oskar Rabin, an outcast painter who enjoys no official patronage at home. Rabin's four fantasy cityscapes are semiabstractions: a City and Moons balances glowing oval shapes against the dark grid of hazy architectural forms; an American Landscape shows giddy skyscrapers in a land he has never visited. Visions of London and Paris both depict painfully precise, oversized postage stamps (one with Queen Elizabeth) that boldly refute the perspective...

Author: /time Magazine | Title: Painting: Soviet Art in London | 6/19/1964 | See Source »

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