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...points out "the grail he (Kelly) sought was his own effacement." During the period of 1948-1955, Kelly sought to find a way not to compose, to relinquish personal agency over his work. The exhibit, arranged chronologically, depicts three methods: the direct copy or transfer system, automatic drawings, and grid work established by chance...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: Kelly Draws, a Wild Hand | 3/12/1999 | See Source »

...glass of wine the woman raises is more like a chalice than an attribute of Bacchus, let alone Venus. Their presence is vivid, but it's subordinated to the even stronger formal matrix of the painting, sandwiched between the perspective run of the ceiling beams and the imperious grid of the tiled floor. Everything in De Hooch's paintings, including the sometimes rather wooden figures, is a space marker. The most reliably expressive creatures there are the dogs...

Author: /time Magazine | Title: Art: Pieter de Hooch: Visionary Homebody | 2/22/1999 | See Source »

Harvard football fans hoping to tune into grid-iron action from their home computers were out of luck last Saturday...

Author: By Vasant M. Kamath, CONTRIBUTING WRITER | Title: Dispute Sidelines On-Line Broadcasts | 9/24/1998 | See Source »

...looking into a sort of sea cave, shining with internal color. Its walls are covered with a wobbly grid of large tiles: yellow, viridian, mauve-flecked with rose madder. The floor is all sea-green and turquoise speckles, but it's hard to say exactly what color any patch of the gelatinous mosaic is because each is so modified by contrasting touches within its small boundaries. The biggest shape in this aquarium light rises diagonally across the picture: a bath, like an immense open oyster, in which floats the body of a woman, all legs, shining indistinctly in the water...

Author: /time Magazine | Title: Art: Bonnard: A Shimmer Of Hints | 8/31/1998 | See Source »

...along with Stevie Wonder's hit song Superstition. "Anyone can play music and have a really satisfying experience," says Eran Egozy, co-founder of Harmonix Music Systems Inc., a Cambridge, Mass., software company specializing in "jamware." By moving your mouse around on a compass-like grid, you can play faster, slower, higher and lower notes--but never out of tune. "You're always in time, in key and playing the right notes," says Egozy, who admits that, mellifluous as it is, "it's not John Coltrane." Still, like flight simulators that let you pilot a jumbo jet, Harmonix's music...

Author: /time Magazine | Title: Technology: Future Shocks | 6/8/1998 | See Source »

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