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...Inside, Mayne has provided another bravura gesture, a stairway framed in places by a fluid, torquing gridwork of white-painted steel that whirlpools upward through the building's multistory atrium. Appearing sometimes like a sort of trellis, sometimes as an open-grid wall, it has so much visual energy the stairs seem in some places to be climbing themselves...

Author: /time Magazine | Title: The Many Faces of Thom Mayne's 41 Cooper Square | 12/21/2009 | See Source »

...Nouvel has also dressed at least one tall building in colors that tall buildings don't usually wear. His 2005 Torre Agbar in Barcelona is a cylindrical tower covered in a gridwork of painted metal panels. Windows turn up all around, seemingly at random. The entire tower is then surrounded by a membrane of fixed glass louvers fritted with ceramic dots that blur your view of the multicolored surface behind them...

Author: /time Magazine | Title: Jean Nouvel Wins Architecture Honor | 3/30/2008 | See Source »

Corrosion may have played a role here as well: the Minneapolis bridge - what's known as a deck steel truss bridge - was a concrete roadway supported by gridwork of steel. "When you use both concrete and steel like this," says William Miller, an expert on bridge engineering at Temple University in Philadelphia, "there can be chemical reactions going on where these two very different substances meet. This is especially a problem in extreme climates where water can get into the cracks between supports, freeze and expand and cause a huge amount of damage." Beyond that, says Miller, "concrete...

Author: /time Magazine | Title: Why Did the Bridge Fall? | 8/2/2007 | See Source »

...also collects much juicier artists. John Chamberlain's hunks of automobile metal, cut and welded, crushed and painted, build multicolored bridges between Abstract Expressionism and Pop. Not far from his galleries, there's a mini-show of Agnes Martin's delectable paintings, broad washes of color over a rectangular gridwork of lines drawn with a slightly trembling pencil. Something sings across those shivering wires. Dia also has the space to present some of the weightiest and most forceful postwar American art. The sheer tonnage of Richard Serra's Torqued Ellipses, 1996-97, or Michael Heizer's North, East, South, West...

Author: /time Magazine | Title: Art: Let's Supersize It! | 5/26/2003 | See Source »

...Daniels: "Utilities tend to be very conservative and try not to take a lot of risks." In fact, risk aversion in the utility business is not just a tendency, it has been a way of life. Since 1935 most of the power suppliers in the U.S. had operated a gridwork of cushy monopolies that allowed them to earn a guaranteed rate of return, limited their exposure to loss and actually punished them for experimenting with anything that didn't meet strict standards of "prudency." Under the banner of protecting consumers of electricity from being overcharged, a maze of federal, state...

Author: /time Magazine | Title: Chasing the American Dream | 7/6/1992 | See Source »

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