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...deal of a movie either. It's small scale, low budget and not straining for big yuks. On the other hand, it's an unprepossessing delight, especially after Frank meets Laurel (Tea Leoni). She's a salty talker and he's drawn to her by her less than grief-stricken remarks about her stepfather, as Frank prepares his body for his last rites. You may wonder what a bright, pretty young woman would see in an aging, taciturn mobster, but, hey, this is a romantic comedy of a sorts and stranger things than that have happened over the years...

Author: /time Magazine | Title: You Kill Me: Gently Winning | 6/22/2007 | See Source »

...director when the plots were hatched, did not disclose this secret to the investigators. The CIA had told Robert Kennedy, but he too kept this information from the commission. Bobby's apparent acquiescence in the attempts to kill Castro may have added twinges of guilt to his deep grief over his brother's death...

Author: /time Magazine | Title: The Assassination: Did the Mob Kill J.F.K.? | 6/21/2007 | See Source »

...They still do. When she was alive, everyone wanted a piece of Diana. Photographers chased after her smile, newspapers hung on her words, her fans bought anything that would get them that little bit closer to the fairy tale. And when she died, the outpouring of grief was accompanied by the urge to spend - as if millions of mourners thought that if they could only collect enough commemorative plates, or read enough biographies, maybe together they could hold on to the woman they had lost too soon...

Author: /time Magazine | Title: The Princess of Sales | 6/14/2007 | See Source »

...lives will never be the same," says Aureliano, whose grief is colored by the anger he feels over losing a son to a war he does not support. "Now that my son is gone, there is a vacancy in Iraq. Maybe the President would like to send one of his daughters over there to continue to fight in Jesse's place...

Author: /time Magazine | Title: One Day In Iraq: A Marine Father's Lament | 5/25/2007 | See Source »

...That definition, of course, could fit many a movie thriller. Indeed, horror and grief are at the center of Juan Antonio Bayona's The Orphanage, an intense sepulchral mystery about a Spanish woman (Belén Rueda) whose adopted son goes missing and is presumed dead; she, however, believes the boy's whereabouts can be determined by spirits in her house, which happens to be the orphanage she grew up in. It sounds hokey, and the film is not reluctant to dabble in ghost-story conventions. But this is a shuddery, splendidly made parable about the power of both grief...

Author: /time Magazine | Title: Cannes Turns 60 | 5/24/2007 | See Source »

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