Word: griefs
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Dates: during 1960-1969
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Vincenzo Bellini's 1831 opera Norma is one of the Matterhorns of the repertory for sopranos. Many of the world's finest singers have come to grief on its melodic precipices because they lacked the bel canto technique, emotional projection, and soaringly powerful voice that the title role requires. The 19th century Soprano Lilli Lehmann said it was easier to sing three Brünnhildes than one Norma, and the great French Prima Donna Pauline Viardot was so obsessed with the difficulties of the part that the last word she spoke on her deathbed was "Norma." Maria Callas...
...recall the statement of William F. Buckley Jr. after the last mayoralty election: "I will never seek elective office again, unless I hear directly from my Maker." Now comes word that Mr. Buckley will seek elective office again, as a member of the Yale Corporation [Oct. 27]. Good grief, does he know something that we don't know? Can it be that not only is God at Yale, but a member of the Yale Corporation...
...Rochefoucauld observed, who is at once inflexibly virtuous and violently inflamed." Listing possible Republican tickets, Buckley offered his own preference-with reservations. "Reagan, Javits-with perhaps the explicit understanding that if President Reagan were to die in office, Vice President Javits would hurl himself upon the funeral pyre in grief...
...such stylized theatrical forms as the Kabuki play The Tale of Kasane, which the group performs with the flow and precision of fine ballet. The company's most striking performances are its "recitations" of poetry. Through such simple gestures as twisting her fingers over her heart to show grief, stunning Audree Norton manages to evoke all the romantic passion contained in Elizabeth Barrett Browning's How Do I Love Thee? In a short Chinese poem, Bernard Bragg, who studied under Marcel Marceau, creates visual haiku with the line "a wave carries the moon away and the tidal water...
...pattern emerges; every aspect of his love for the excellent lady occasions pain. The tense pleasure of enjoying Lise crumbles into the grief of living with Esther. Lise, the lover necessarily shared, but temporarily the poet's alone, seems almost despised once she has been enjoyed...