Word: griefs
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...MOVIES . . . MRS. BROWN: 'Mrs. Brown' is the true story how of Queen Victoria (Judi Dench), locked in grief after Prince Albert's death, has her death-in-life is changed by a humble horseman named John Brown. He speaks boldly to her and rudely to her children. He takes her on long walks, gives her counsel; most important, he makes her laugh. "Nicely, the movie lets viewers decide whether Brown is a devoted servant or a devious bully and whether the Queen?s long bereavement is partly stubbornness masquerading as principle," says TIME's Richard Corliss. "It also provides...
...lessened when the murderer is put to death. "What [survivors] are doing when they look for someone else's death is to deal with the crime and punishment," says Pat Bane, executive director of Murder Victims' Families for Reconciliation. "Instead, they need to deal with their loss and grief. That is where they find closure...
...knew how to teach, and it is they--among the many hundreds of distinguished and powerful people who have come to honor the son of Time Warner's CEO, Gerald Levin--who speak for his worth. Jonathan, 31, was murdered last week in his home. For his family the grief is personal, unbearable. For his students the loss is nearly as great. That one of the two accused killers turns out to be a former student provides an especially mindless end for a man whose work concerned reason and learning. He was tortured and shot to death...
News of the accidental drowning unleashed an outburst of grief that attested not just to the tragedy of a young man's life cut short but also to the uncommon force of his music. In the hours after his disappearance, fans from around the world--Canada, Australia, the Netherlands and even Singapore--inundated his record label with worried messages. In New York City's Greenwich Village, Buckley's home turf, scores of fans brought candles and flowers to Cafe Sin-e, the former coffeehouse where he first drew crowds with his spiraling voice and captivating intensity. "His music...
...flat-out devastation, see the French drama Ponette, Jacques Doillon's study of infant grief. From its poignant first image--of a four-year-old child (Victoire Thivisol) compulsively sucking her thumb, the only part of her forearm not in a cast after a crash that killed her mother--the film rarely leaves the wracked, haunted face of its fearless heroine. Many relatives think they are helping the girl: her aunt (Claire Nebout), who fills her with stories of God's craving for mommies; her young cousins, who try alternately teasing and cheering her; a boy at school who says...