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...William Griffith, Professor of International Relations at MIT, advocated a more cautious approach to American foreign policy. Griffith said that the ideal foreign policy blends human rights and "realpolitik," but that "there can be no firm decisions as to the mixture." He added, however, that individuals can--and should--deviate from governmental decisions...

Author: By David B. Pollack, | Title: IOP Panel Calls for Changes In U.S. Human Rights Policies | 2/16/1983 | See Source »

...basketball but in love with baseball. As a calm, scholarly child in Washington, B.C., already too stiff to ask the Senators' players for autographs, Kuhn whiled away early 1940s summers manning the scoreboard for a dollar a day, just to have some part in the wondrous events at Griffith Stadium. "That old stadium had magic," he said. "When they tore it down, my world disappeared...

Author: /time Magazine | Title: Sport: Cashiering the Commissioner | 11/15/1982 | See Source »

...Horrors was shot in 1960 by Schlockmeister Roger Gorman on a frayed-shoestring budget (way under $100,000), using no-name actors (including a 23-year-old Jack Nicholson) on grungy sets left over from another picture. It was filmed in an impossible two days. But Screenwriter Charles B. Griffith extracted 70 minutes of fast, daft humor from his blending of the horror and science-fiction genres...

Author: /time Magazine | Title: Theater: When Trash Is a Treasure | 8/23/1982 | See Source »

...Question 3, a ringing affirmative. The tiny stage of off-Broadway's Orpheum Theater is apulse with the engaging beat of Alan Menken's pastiche of infant rock 'n' roll. Librettist-Lyricist Howard Ashman has adhered to Griffith's plot with becoming fidelity, while sending it up by adding a funky chorus of observers: three black girl singers in tight skirts and tighter harmonies. In the show Audrey Jr. is Audrey II, and at the outset is a tiny terror: Pac-Man's mean mutant brother. By the show's climax, it envelops...

Author: /time Magazine | Title: Theater: When Trash Is a Treasure | 8/23/1982 | See Source »

...script co-authored by a man named Babaloo Mandel can be without its patches of agreeable whimsy. But Ron Howard, who has been acting in sitcoms (The Andy Griffith Show, Happy Days) for most of his 28 years, should know more about shaping comic characters, situations and moods than he shows here. Winkler, the Fonz on Happy Days, is pleasantly put-upon here; Michael Keaton, also from TV, is mildly manic; and Shelley Long so resembles Pam Dawber in her squeaky cuteness that one wonders why the producers didn't raid Mork and Mindy for the real thing. Sitcom...

Author: /time Magazine | Title: Cinema: Slaphappy | 8/9/1982 | See Source »

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