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...education is," and "no generation can understand the one that preceded it or the one that follows it." One thing, though; Benvenuti can put his fist where somebody else's mouth is. Last week in Manhattan, he outboxed, outslugged and outclassed a heavily favored (at 13-5) Emile Griffith to win the middleweight championship of the world...

Author: /time Magazine | Title: Prizefighting: A Title for Trieste | 4/28/1967 | See Source »

...work. Hall's body was exhumed, and an autopsy report indicated that the cop's bullets had gone through his neck, chest, right arm, right side and back. The Davidson County grand jury, devoting 32 hours to the case, heard testimony from Vanderbilt University Hospital Psychiatrist John Griffith that he and three other psychiatrists had analyzed the patterns of Hall's behavior and concluded that he was not under the influence of drugs, including LSD. Hall, said Dr. Griffith, was probably the victim of a sudden "psychiatric illness of psychotic proportions" that erupted "less than 24 hours...

Author: /time Magazine | Title: Investigations: How Much Force? | 3/24/1967 | See Source »

...telephone, the son is delightfully alarmed to discover that his hotel womb has a view. Specifically, the view includes the resident baby-sitter (Barbara Harris). But when he tries to get Mother out of the way by arranging a date for the old nymph with a local satyr (Hugh Griffith), she coolly arranges a harpy ending...

Author: /time Magazine | Title: Cinema: From Stage to Screen: Murder, Madness & Mom | 3/3/1967 | See Source »

...ANDY GRIFFITH'S UPTOWN-DOWNTOWN SHOW (CBS, 8:30-9:30 p.m.). Tonight it's Don Knotts, Tennessee Ernie Ford, Maggie Peterson with the Bruce Davis Quintet, and a folk-rock group known as the Back Porch Majority...

Author: /time Magazine | Title: On Broadway: Feb. 17, 1967 | 2/17/1967 | See Source »

...this sounds rather far-fetched if we forget how completely we have assimilated into our nervous systems conventions that seemed outrageous when new. When D.W. Griffith invented the close-up, the good people of 1915 demanded their money back: they hadn't paid to see random fragments of anatomy! Likewise, the first cuts completely disoriented audience accustomed to fadeouts...

Author: By Jeremy W.heist, | Title: Loves of a Blonde | 1/25/1967 | See Source »

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