Word: griffith
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WORKING GIRL. Pert secretary Melanie Griffith climbs the corporate ladder, dislodging career gal Sigourney Weaver and claiming hunky Harrison Ford in Mike Nichols' suave tale about getting it all on your own sweet terms...
...steno pool at the brokerage where she works, Tess McGill (Melanie Griffith) might catch a male executive's eye for a few priapic seconds. Would she accompany him to his office for some fast dictation? She would not. Tess may chafe at pushing 30, at fetching coffee for dimmer minds with smoother styles, but she will not be used. And now she has a plan. Her new boss is chic Katharine Parker (Sigourney Weaver), who has it all and wants more. Katharine can flirt suavely with clients -- "I'll buy you a drink. Bottle of Cristal? Two straws?" -- and steal...
...business of romantic comedy. Kevin Wade shows this in his smart screenplay, which is full of the atmospheric pressures that allow stars to collide. Director Mike Nichols knows this in his bones. He encourages Weaver to play (brilliantly) an airy shrew. He gives Ford a boyish buoyancy and Griffith the chance to be a grownup mesmerizer. When Tess and Jack kiss, Nichols has Griffith kick one leg back in the old-fashioned signal of innocent lust...
...parse like All About Eve from the scheming Eve's point of view, but its heart is with every '30s heroine who must conquer class prejudice -- with wit, charm, bravado and a little larceny -- before she can win the nice guy away from the mapcap heiress. At first, Griffith's pudginess and baby-doll voice appear to disqualify her from the company of Carole Lombard, Jean Arthur and other down- to-earth goddesses of the golden age. But as she slims into executive shape, she grows in the role until finally she is captivating enough to be entrusted with...
Loos began as an actress in her father's theater in California and began selling scenarios to D.W. Griffith's Biograph Company. From there, Loos went on to compile one of the most impressive writing resumes of any woman this century. In addition to Gentlemen, Loos was responsible for the screen versions of San Francisco and A Tree Grows in Brooklyn as well as Douglas Fairbanks' early silent classics...