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...appealing and most readily understandable (if not the most profound) of the French group variously called the Anti-Novelists, the New Realists or merely the New Novelists. These tags are not very illuminating, and none could be satisfactory, because the writings of Mauriac, Michel Butor, Claude Simon, Alain Robbe-Grillet and Nathalie Sarraute do not much resemble one another; the authors are a movement only in that each rejects the conventional psychological novel...

Author: /time Magazine | Title: Books: Eddies of Thought | 4/27/1962 | See Source »

Last Year at Marienbad. A cinenigma worked out by two Frenchmen, Scenarist Alain Robbe-Grillet and Director Alain Resnais (Hiroshima, Mon Amour), that has become the intellectual sensation of the year in films...

Author: /time Magazine | Title: Cinema: Apr. 20, 1962 | 4/20/1962 | See Source »

Last Year at Marienbad. A cinenigma worked out by two Frenchmen, Scenarist Alain Robbe-Grillet and Director Alain Resnais (Hiroshima, Mon Amour), that has become the intellectual sensation of the year in films...

Author: /time Magazine | Title: Cinema: Apr. 13, 1962 | 4/13/1962 | See Source »

Last Year at Marienbad (Astor), written by Novelist Alain Robbe-Grillet, the prophet of The New Dehumanism that is currently fashionable in French letters, and directed by Alain Resnais, the 39-year-old Frenchman who made Hiroshima, Mon Amour (TIME, May 16, 1960), has been bruited about Europe as a masterpiece of the cinema of ideas. It won the grand prize at the Venice Film Festival, and went on to do a brisk business all over the continent. Released now in the U.S., it promises to become the intellectual sensation of the cinema year, and to judge from pre-release...

Author: /time Magazine | Title: Cinema: All Things to All Men | 3/16/1962 | See Source »

...face of it, Marienbad tells the story of a seduction-Resnais prefers to call it a "persuasion"-that transpires in what Robbe-Grillet calls "a grand hotel, a sort of international palace, immense, baroque, with a decor at once sumptuous and icy: a universe of columns, marbles, gilded panels, statues, servants in rigid attitudes; a clientele rich, polished, anonymous, unemployed. Seriously but without passion they play society's inevitable games-cards, dancing, vacant conversation, pistol-shooting. Inside this closed and stifling world, people and things alike seem caught in an enchantment.'' Among the enchanted inhabitants...

Author: /time Magazine | Title: Cinema: All Things to All Men | 3/16/1962 | See Source »

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