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...part of the book as it's also the most narcissistic of an already intensely self-involved work. It ends poorly, with pointless photos of her French chateau alongside a fatuous interview by her publisher. Filled with advice like, "shopping can pick you up, just by distracting you from grim realities..." It reads more like a spread from InStyle magazine than a continuation of the earlier, penetrating work. Giving benefit of the doubt, it could be read as failed sarcasm. If that was the point, the failure, interestingly, is in the lack of any comix. Kominsky Crumb's artwork clearly...

Author: /time Magazine | Title: All You Need Is... | 2/21/2007 | See Source »

...Furthermore, only Richard Snee as Antigonus seemed to remember that the mood gets lighter in the play’s second half. While the rest of the cast—unflinchingly grim and absurdly costumed in black with blue accents by Charles Shoonmaker—ended up looking like high tragedy gone to outer space. Snee’s fatalism, by contrast, was laced with much-needed humor...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: A Tepid Ending for ‘Winter’s Tale’ | 2/19/2007 | See Source »

...After all, Antigonus turns out to be the victim of Shakespeare’s most famous stage direction: “Exit, pursued by a bear.” It’s grim and horrible and everything, but come on. Bears are funny...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: A Tepid Ending for ‘Winter’s Tale’ | 2/19/2007 | See Source »

...conversation gets more complicated, as information and ideology conjoin. If a woman is "abortion minded," Wilson says, "then we go over the medical risks--and there's research for this, even though the other side says there's not." She ticks off grim possibilities with fervor: "The research is that breast cancer is more prevalent. You have the rupture of the uterus. Infection is major. The risk of ectopic pregnancy is greater later on." It is this discussion of risk that most enrages defenders of abortion rights, especially doctors who routinely see terrified women who come in for an abortion...

Author: /time Magazine | Title: The Grass-Roots Abortion War | 2/15/2007 | See Source »

Hoberman suggests that films in genres like science fiction, fantasy, and the Western have frequently been able to address cultural anxieties that might be too sensitive for a more realistic narrative. He cites Ishiro Honda’s “Gojira” (1954), a grim allegory of the destruction wrought by the atomic bomb, as a particularly strong example...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Hoberman Reveals Cinema’s Cold War Secrets | 2/15/2007 | See Source »

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