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...literature ostensibly created for children-Huck Finn, Grimm's fairy tales-fantasy was mixed with social satire and cruelty beyond the comprehension of innocent minds. Mark Twain and Grimm succeeded by stressing the differences between the child's and the adult's world. Disney perhaps would have been incapable of tackling such subjects without diminishing in some measure-as he did with Mary Poppins-their hard bite of inner reality. He stressed the sameness of the two worlds, ignored or abolished the differences, reconciled the generations. If at times the results were mawkish, Disney scarcely gave...

Author: /time Magazine | Title: WALT DISNEY: Images of Innocence | 12/23/1966 | See Source »

Just as bullish about his prospects is Rod D. Grimm, 25, a Berkeley graduate student in marketing who has al ready served two years in Viet Nam with the Green Berets. Grimm, who receives his master of business administration degree this summer, has been interviewed by 15 companies. He has gotten eight "seconds"-invitations to inspect company facilities and talk seriously about work and salary-and expects several more before he is finally forced to make a choice...

Author: /time Magazine | Title: Employment: Wanted: Almost Any Warm Body | 3/18/1966 | See Source »

Interviewees Down. Last week, from Berkeley to Boston, that annual rite of spring called campus recruiting was well under way. And if students like Hartman and Grimm made it sound like a buyer's market-well, it was. "Almost any warm body can get a job," comments M.I.T.'s Placement Director Thomas W. Harrington. This year even more firms are sending out personnel experts to round up bodies for even more jobs than they did in a heavy campaign last year. At the University of Chicago Business School, for instance, 230 companies are recruiting v. 190 last year...

Author: /time Magazine | Title: Employment: Wanted: Almost Any Warm Body | 3/18/1966 | See Source »

Carnovsky's strong definition of Lear's character quite naturally carries over into his directing. Each role is clearly outlined against the character of Lear. Within this fairly rigid framework some of the supporting players were outstanding. David Grimm's Fool didn't whine, mince his steps or sing in falsetto; in short he was masculine, a rarity in the role. Peter MacLean as Kent and Nicholas Kepros as Edgar had to sustain an air of good sense and authority through the play's anarchistic denouement. They did. The scenes during the storm when the disgusted Kent watches Lear...

Author: By George H. Rosen, | Title: King Lear | 2/9/1966 | See Source »

...1930s; yet walking remains a romantic refuge from politics and society in general. Many Germans ramble alone. Others prize the mystic shared experience of striding arm in arm, verbunden (joined together) with a dear friend, facing the little obstacles of the way, starting together at strange noises, wondering what Grimm monster lurks in the forest shadows. "Walking invigorates the soul," they explain. "Things seem to sort themselves out and fall into place during a good walk...

Author: /time Magazine | Title: West Germany: Togetherness on the Trail | 2/4/1966 | See Source »

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