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Word: grimming (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...victory had its grim side. Except for a few old men & women, there were no inhabitants left in the region: the Reds had taken all able-bodied men & women with them. In Krystallopigi, 88-year-old Vassilis Claras explained: "The day before the government army came, the Communists gave us orders to cross into Albania, because the Monarcho-Fascists would kill us. I told them I was an old man and didn't care whether I lived or died-so I stayed...

Author: /time Magazine | Title: GREECE: Days of Victory | 8/29/1949 | See Source »

When opening-night New London townspeople first saw her three-year-old Yerma, a grim study of wifely frustrations, some were not sure how they liked it. Valerie's angular movements seemed almost as if they had been laid out with a carpenter's rule. Later, most found it easier to applaud her powerful adaptation of William Faulkner's As I Lay Dying...

Author: /time Magazine | Title: Music: Out of the Woodshed | 8/29/1949 | See Source »

...series done by Pittsburgh Post-Gazette Reporter Ray Sprigle after a tour of the South in the disguise of a Negro, Carter drawled that as a circulation-booster he had assigned one Sherlock ("Ol´ Fearless") Meriweather to do a series "In the Land of Grim Snow...

Author: /time Magazine | Title: The Press: With a Capital L | 8/22/1949 | See Source »

Scatter-Gun. Meriweather lived in a cellar until he developed a "skyscraper shadow complexion," and he dieted rigorously on Martinis, barbiturates and tongue-on-rye. Thus able to pass as a Northerner, Ol´ Fearless invaded Manhattan. His grim findings: gangsters, muggings, class warfare, prejudice, "rapine and horrible death ... at every turnstile...

Author: /time Magazine | Title: The Press: With a Capital L | 8/22/1949 | See Source »

...score, in which each instrument seemed to portray (or mock) a character on stage. There were other Britten trademarks: well-fitting songs and exciting ensembles. Even so, some found Albert's humor, at least in Tanglewood's production, so mordant that it often verged on the grim, and Britten's somewhat patchy score so consciously clever that at times it was irritating. The applause was warm, but not extravagant...

Author: /time Magazine | Title: Music: Britten's Week | 8/22/1949 | See Source »

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