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...Brown & Williamson tobacco com pany (Kools, Raleighs. Viceroys) said that it was against violence: on Brown & Williamson shows no actor is allowed to grind out a cigarette violently in an ashtray or stamp it out underfoot. "Whenever cigarettes are used by antagonists or questionable characters, they should be regular size, plain ends, and unidentifiable. But no cigarette should be used as a prop to depict an undesirable character. Cigarettes used by meritorious characters should be Brown & Williamson brands...

Author: /time Magazine | Title: Television: Taste, Sponsorwise | 10/6/1961 | See Source »

...space grab was Wechsler's own idea. Only recently relieved of some of his duties as Post editor (while keeping the title), Wechsler has begun to grind out a column. Early in his new career he wangled a long afternoon's chat with the President...

Author: /time Magazine | Title: The Press: Guest Columnist | 10/6/1961 | See Source »

...already lost the production of 60.000 1962 models, and even if the rest of the strikes were settled quickly, many more production days would be lost before components plants could grind out enough parts to fill the dried-up pipelines to G.M. assembly plants. In the meantime, everybody would have plenty of time to go to the toilet...

Author: /time Magazine | Title: Autos: The Toilet Strike | 9/22/1961 | See Source »

...grind, it was neither classy fielding, nor reliable pitching, nor booming home runs that assured the Yanks the pennant. Their secret was depth. Manipulating his players with military precision, Rookie Manager Ralph ("The Major") Houk demonstrated an uncanny ability to find the right man for the job. And whatever the job, the right man usually was a catcher-one of a remarkable Yankee trio whose versatility, both at bat and in the field, is unmatched in baseball history. In a season when both major leagues can boast fewer than half a dozen topflight catchers, the three best belong...

Author: /time Magazine | Title: Sport: Versatile Trio | 9/15/1961 | See Source »

...weeks before the out-of-town opening, he gets down to serious work, sometimes assisted by as many as four other arrangers (his partner in his Milk and Honey assignment is Jazz Composer-Arranger Eddie Sauter). In the final, frenzied weeks before first night on Broadway, Kay must grind out not only the orchestrations for songs and dances, but the "bridges" between numbers, the entr'actes, and finally the overture, a chore Kay and associates sometimes finish scant hours before cur tain time. The job pays a top arranger anywhere from $10,000 to $16,000 a show...

Author: /time Magazine | Title: Music: Musical Midwife | 8/18/1961 | See Source »

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