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Word: grins (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...soon as one of the nearby soldiers, ears flapping, breaks down and asks whatthehell, the players grin and explain...

Author: /time Magazine | Title: Army & Navy - MORALE: Floogle Street | 2/7/1944 | See Source »

...With a Grin. Britain probably expects less of concrete achievement from the Moscow conference than either of her fellow nations, but is more determined than either to avoid anything like a rupture or failure. The national attitude was shrewdly summed up by the New Statesman and Nation's "Sagittarius" (Olga Katzin), who in a dignified parody of Lord Tennyson saluted the Moscow conference with a fatalistic grin...

Author: /time Magazine | Title: GREAT BRITAIN: Inventory | 11/1/1943 | See Source »

...front of Stoughton and shot a ladder up to the vicinity of his billet...the proud look on Mr. Gregory's face a day or so later when he walked smartly into the gun bin to turn in his piece and said, "My name's Gorham."...the sheepish grin on James Gwin Zea's face when a bunch of the boys referred to him as "the flag," and stood up as he sat down to chow at their tuble ONE day...the crackling sound of Bill Acker's voice after a particularly long session of "hip-toop-threep-fourping...

Author: NO WRITER ATTRIBUTED | Title: THE HARVARD SCUTTLEBUTT | 10/12/1943 | See Source »

...also. Before handing him the lead in The Cat and the Canary, Paramount Producer Arthur Hornblow talked to Hope like a Dutch uncle, told him he'd do anything for a laugh-gore another actor, bolt clean out of character. Hope began, fumed Hornblow, by making audiences grin, ended by making them grit their teeth. The Cat and the Canary clicked: since then Hope has whizzed through many another comedy thriller (The Ghost Breakers, My Favorite Blonde, They Got Me Covered), strutted down the Road to Singapore, Zanzibar, Morocco...

Author: /time Magazine | Title: The Theater: Hope for Humanity | 9/20/1943 | See Source »

...Lady Takes A Chance (RKO-Radio) takes quite a few. It takes a chance with one more treatment of a well-worn story-pattern (the Cowboy & the Lady), and emerges from the scrimmage with a broad grin to offset its black eye. It takes a chance with making the cowboy (John Wayne) rather more than a nice boy, the lady (Jean Arthur) rather less than a lady, and both of them rather more primordially interested in each other than the Hays Office likes to feel that people should be. Director William Seiter seems to have fallen just short...

Author: /time Magazine | Title: The New Pictures, Sep. 20, 1943 | 9/20/1943 | See Source »

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