Word: grins
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...embodiment of big-city scrappiness, a mean-streets survivor who got ahead on a good grin, good moves and better hustle. To a generation of comic impressionists, Jimmy Cagney's mannerisms became part of the standard repertoire: the tough-guy, tommy-gun chatter, the feinted jab to convey affection (first aimed at Loretta Young in Taxi) and the square-shouldered bantam-cock strut. Public Enemy, White Heat and his other classic gangster movies traded on what he fondly called "my gutter quality." But in more than 60 films, the last of them a made-for-TV movie that aired...
...your body, the movie is still worth seeing. The acting is uniformly excellent, with Whoopi Goldberg a shoe-in for an Oscar nomination for Best Actress. Goldberg has the perfect face for Celie, capable as she is of transforming the worried lines of meekness and suffering into a stiffled grin and a twinkle in the eye that belie convert amusement and joy. Also creating a reserve of depth is Adolph Caesar as Mister's father, the swaggering, comic fool who sires the story's principal tyrant. In fact, some of the film's most engaging moments are those featuring...
Harris plays the phoniest, deadliest and most seductive figure in the clan, fluttering her eyelashes and flinging her hands up in merry confusion every time she gives another derailing shove to the rules of common courtesy. Her monstrous misbehavior is accompanied by an elfin, confessional grin calculated to excuse a multitude of sins. As her novelist husband, Roy Dotrice uses dottiness as an excuse for complete indifference to those around him: at teatime he fills and sips from cup after cup until he is surrounded by soiled china, then passes tea and edibles to each member of his family while...
...famous Hitchcock twist endings sometimes fall flat in 1985. But when they ) work, they leave the viewer with a unique frisson: a grin accompanied by a sinking feeling in the stomach. In the best of the season's segments to date, Season Hubley played a convicted murderer who attempts a prison escape by hiding in a coffin about to be buried. Director Thomas Carter toyed masterfully with the audience's emotions, turning the protagonist from tearful victim to scheming bitch and back again in seconds. The half-hour story moved like a rifle shot (the inferior original was a full...
...Some?" I thought. "Three? Four?" And worse, I wondered, "Will I someday grin like...