Word: grips
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Dates: during 1970-1979
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...P.O.W., the 24-page magazine tries to bring returning prisoners up to date on the major hard and soft news of the past seven years. On the cover the editors describe the era, rather solemnly, as "historic years. . .when man himself, not just his spirit, escaped the grip of earth to walk in space." The subjects range from moon landings to miniskirts, from the funeral of Winston Churchill to the death of Mary Jo Kopechne. Still, there are lapses that may keep the returnee from gaining total touch with contemporary reality. For instance, the hippie movement is encapsulated...
...peace was at last at hand, the grip was still proving slippery. The Oct. 31 "deadline" that Hanoi had set for the signing of the nine-point agreement came and went, the French government quietly put away the champagne that it had taken care to have chilled and ready at the old Majestic Hotel, and the war of words resumed. Instead of toasts, tensions rose on all three corners of the delicately balanced Viet Nam triangle...
...Yugoslav Communist Party is once again in the grip of a wide-scale political purge. In a series of laconic announcements last week, the Yugoslav press agency Tanyug reported the "resignations" of top-ranking Serbian and Slovene officials. In fact, they had been dismissed from office by President Josip Broz Tito, who had moved to put down nationalist strife within the supposedly supranationalist party he has led since...
...also the most mesmeric anti-hero to grip the Anglo-American stage since Bill Maitland in John Osborne's Inadmissible Evidence. The irony is that such anti-heroes require heroic performances from the actors who play them. Nicol Williamson erupted volcanically in Inadmissible, and Alan Bates (TIME, Nov. 6) is a flood tide of brilliance in Butley. The two plays and the two characters have a good deal in common. One feels that if Maitland and Butley could harness their energy and alter the direction of their venomous wit, they could put their lives straight in no time...
...front porch, until Kaufman finally said, "John, why do you associate yourself with people like the Lindberghs?" Marquand thought a moment and replied, "George you've got to remember all heroes are horses' asses." Marquand makes fun of Apley's inhibitions and his struggle to fit the grip of Boston tradition and his struggle to fit the grip of Boston tradition and not betray it. Yet all his life Marquand sought roots where family life and tradition would be important. But instead he broke two marriages and scattered his homes and children across the East. Birmingham stresses Apley's failure...