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...authority, yes, but he allowed a parliament to be chosen in elections quite free of political parties. Press freedom prevailed for newspapers that could pass the government censors. After his military coup in 1973, Mohammed Daud let dynastic rule continue, but he proclaimed a republic. He relaxed his dictatorial grip so much that his top ministers were authorized to spend up to 70 pounds without his personal approval. So popular was Daud that he was able to squish seven separate attempts to overthrow him before the Marxist coup of 1978. In addition, for three decades Afghanistan has upheld democratic principles...

Author: By Mark R. Anspach, | Title: Welcome to Sunni Afghanistan | 3/5/1980 | See Source »

With MiG-21s buzzing low overhead, and the sound of sporadic gunfire echoing across scattered parts of the city, Kabul was described by foreign residents as being "in the grip of crisis." From the shopping streets of the Shari-i-Nao district to the alleyways of the Shorbazaar in the Old Quarter, thousands of shopkeepers had first closed their doors on Thursday to dramatize their resentment against the Soviet invaders. Shouting anti-Soviet epithets and antigovernment jeers, the merchants repeatedly defied attempts by Afghan police to force them to reopen their shops. When thousands of other citizens poured into...

Author: /time Magazine | Title: AFGHANISTAN: Deeper into the Quagmire | 3/3/1980 | See Source »

...American jugular, finally managed to annihilate his earlier self-Mad Dog Sal, the insecure and ravenously aggressive young lounge lizard whose tiny, enameled visions helped create one of the extreme moments of dandyist revolt and modernist disgust. But today the only interesting thing about Dali is the obsessive grip of his pose. He has convinced a public that could hardly tell a Vermeer from a Velásquez that he is the spiritual heir to both painters. And he has done so, not through art but by the diffusion of small anecdotes. Everything is calculated, literally down to the last...

Author: /time Magazine | Title: Art: The Soft Watch and the Beady Eye | 3/3/1980 | See Source »

...victim with a leather strap, unsheathes a shiny butcher's knife, then plunges it unmercifully into the victim's back. Murderous entry is from behind, the tool is cold, sharp-edged, violent and unrelenting. The victim emits no sound, too shocked by his fate and caught in the grip of Friedkin's version of the S-M homosexual's ultimate pleasure--death...

Author: By David Frankel, | Title: Nights in Black Leather | 2/19/1980 | See Source »

...order to trap a psychopathic murderer who preys on gays, Cop Steve Burns (Al Pacino) adopts a fictive homosexual identity and blends into the rough S-M scene. Gradually he zeroes in on the killer, but not without paying a weird price: Burns begins to lose his real-life grip on heterosexuality...

Author: /time Magazine | Title: Cinema: Cop-Out in a Dark Demimonde | 2/18/1980 | See Source »

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