Word: grips
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...Cyprus, whose attempt to overrun the Turkish Cypriot beachhead at Kokkina brought swift retaliation from Turkey in the form of jet fighters. What Makarios could not win by force, he now tried to gain by blockade. Bowing to the ceasefire order of the U.N. Security Council, Makarios fixed a grip of iron around the 80 villages and the fortified quarters of the cities that house the 100,000 people of the Turkish Cypriot minority...
...third is memorable because it was directed by B. Iden Payne, 82, a formidable figure in professional and bush theater for more than 60 years. His Much Ado is literal, straightforward, underdirected and onedimensional, which will indicate to any former Payne student that the master has not lost his grip. Some of the actors in Much Ado strike poses like various Barrymores. Small wonder, B. Iden Payne directed Ethel in Déclassé and John in Justice...
...Town and The Mansion), his tribe begins to infiltrate and increase. There is Montgomery Ward Snopes the pornographer, Wat Snopes the carpenter, Virgil Snopes the barber and brothel athlete, and a score of others. When Flem takes over the Sartoris Bank, his success is proof of the loosened grip of the older, principled families...
...Firestone, U.S. Rubber, Goodrich), Dunlop boasts that it is the most technologically advanced and versatile of the lot. American tires are meant for high-speed driving on well-paved streets, but Dunlop develops different tires for different kinds of roads. Its Hi-Mubroad-tread tires are specially designed to grip wet British roads, and its engineers at Birmingham's sprawling Fort Dunlop plant-known to employees as "The Vatican of Rubber"-have fashioned tires for smooth German autobahns, cobblestoned French lanes and rock-strewn African trails...
Though Mondrian has been dead for two decades, the grip of de Stijl's geometry has never lessened, as is demonstrated in the 80-odd paintings on show at Manhattan's Marlborough-Gerson Gallery. Among the younger Dutch painters, Joost Baljeu, 39, makes mechanical totems of an order beyond emotion. U.S. Artist Charles Biederman, 58, saw that his mentor Mondrian had reached "the very limit permitted by the old hand medium of paint." He lays down the brush for what he calls "the new art tools of man"-machines -and makes his metal reliefs look un touched...