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When Spanish-born Jose de Creeft arrived as a student in Paris in 1905, only Rodin was turning out anything but the academic nudes and busts that dominated the galleries. Though he lived in the same building with Picasso and Juan Gris, De Creeft himself was at first deaf to the noises of rebellion. Like everyone else, he made his bland clay models and sent them off to be cast at a foundry. Then one night he went to his studio and smashed every model in the place. From that moment on, he became a pioneer in reviving the nearly...

Author: /time Magazine | Title: Art: True to Life | 5/23/1960 | See Source »

...offering of confiture (jam), the local nickname for opium. Most of the boys have a Mediterranean origin: Couscous, a wiry North African; Carlo the Corsican; a Eurasian called Moitie Gnakouey; and a clutch of characters of vaguely French antecedents-Petit Pere, La Seche Noire (the Black Cigarette), Le Gorille Gris (the Grey Gorilla...

Author: /time Magazine | Title: LAOS: The Boys at the Snow Leopard | 2/29/1960 | See Source »

...indeed interesting. Although you mention Rivera, Picasso and Gris, you omit friendship with Fellow Artist Modigliani. GERARD ZIERLER...

Author: /time Magazine | Title: Letters, Oct. 13, 1958 | 10/13/1958 | See Source »

...Lipchitz first arrived in Paris from his birthplace in Lithuania, his taste was for the classic Greeks. His early works won the praise of the aging Rodin. Then Mexican Painter Diego Rivera took him to Montmartre to meet Picasso. Soon Lipchitz was the kid cubist, friend of Painter Juan Gris and Patron Gertrude Stein, and flat broke...

Author: /time Magazine | Title: Art: Pathfinder Sculptor | 9/22/1958 | See Source »

People First. The possibilities of irreplaceable loss to the art world were monstrous. On the museum's ground floor was a special on-loan show of 63 paintings by the late Cubist Painter Juan Gris. In the gallery above the fire hung more than 150 works by famed 19th century French Pointillist Painter Georges Seurat, including four of his seven major canvases, lent by U.S. and European collectors (TIME, Jan. 20). Only one closed fire door stood between the acrid smoke and scorching heat and the pick of the museum's permanent collection, richest and choicest trove...

Author: /time Magazine | Title: Art: Nightmare at Noon | 4/28/1958 | See Source »

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