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...next wandered into the Grand Hall, which looked rather like the concourse of an old-fashioned railroad station except for a balcony around three sides and a built-in organ. There were large exhibits featuring New England buildings and grounds of different epochs ranged along the walls. An entire grist mill had been imported from somewhere in Connecticut: it had a turning water wheel and a rustic sign which read "Terms Cash." People occasionally, we were told, got the idea it was a wishing well and tossed coins into the water under the wheel. Across from the mill, and separated...

Author: By Maxwell E. Foster jr., | Title: CABBAGES & KINGS | 3/23/1950 | See Source »

...advice most commonly dished out to hopeful writers by their literary elders is: write only about the things you know. It is perfectly good advice, as sound as it is trite, but sometimes discouraging to youngsters who discover that what they know has long been grist for other writers' mills. Young (22) Louisiana-born, Harvard-bred Speed Lamkin knows a lot about the decline and decay of the old plantation set, who made small talk while energetic commoners made big money and powered the New South. In his first novel, Tiger in the Garden, Lamkin boldly washes some...

Author: /time Magazine | Title: Books: Bourbon & Magnolias | 2/13/1950 | See Source »

...Segars Mill in the low country, the Segars clan performed the annual ritual of closing down the grist mill and padlocking the general store. As Clemson folks, they looked askance at other pilgrims making the journey to the state capital at Columbia; there was no telling who might be a Carolina sympathizer. There had been friction between the two factions since the day Pitchfork Ben Tillman, the state's rip-snorting governor of the 1890s, branded the university as a center of snobbery and helped found Clemson, a "heman" agricultural college with a strong emphasis on military training...

Author: /time Magazine | Title: Sport: Big Thursday | 10/31/1949 | See Source »

...talk and stagy pretentiousness. Its final, most brassy explosion: an enormous, foreshortened view of Gary Cooper-presumably a hulking symbol of rugged individualism -straddling the topmost scaffolding of his new skyscraper. Apparently aimed at Communist and other critics of the American way, Fountainhead will provide some of the corniest grist for Soviet propaganda mills that Hollywood has produced in a long time...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 11, 1949 | 7/11/1949 | See Source »

Intelligent criticism of communism--or even suspected communism--requires more than a hasty attack under the name of a temporary group. Any affirmation of the advantages of democratic government must rest on positive ideas, not on random shots at the other side--and the Soviets will certainly make propaganda grist--of this weekend. We must use propaganda ourselves, and use it well, which is something that neither Schlesinger nor the State Department apparently considered when they went after the Reds in the Waldorf-Astoria woodpile...

Author: NO WRITER ATTRIBUTED | Title: Foul Ball | 3/29/1949 | See Source »

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