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...Philip had conquered this remote Scottish outpost. He was a born leader and a natural athlete; his son was neither. Back at the palace Charles had to confront his little sister Anne, who had all her father's gifts and a confident personality. All Charles had was grit. After finally slogging through Cambridge and a stint in the navy that he found difficult, he had his own ideas about being the heir apparent, and they distanced him from his mother and sovereign. By the time he undertook the biographical film and the book, he neither consulted nor informed...

Author: /time Magazine | Title: FRACTURED FAIRY TALE | 3/11/1996 | See Source »

...1940s; her adventurous vocals (in songs like her majestic megahit I Will Always Love You) have the grandiosity of a Spielberg epic. And her 1992 marriage to controversial hip-hop singer Bobby Brown--an unlikely pairing that has fascinated the gossip press--has some of the urban grit of a Hughes brothers film...

Author: /time Magazine | Title: WHITNEY HOUSTON: NO MISS PRISSY | 12/4/1995 | See Source »

...what's on your mind. On your mind, not what some consultant or focus group tells you an audience or interest group expects to hear. You can buy applause lines at the expense of basic credibility. You can tarnish the qualities of honesty, trust and the Midwestern grit that have got you this far. By refocusing your campaign on the true nature of leadership and Bill Clinton's failure to provide it, you can also unite the vast majority of Republicans. Better this approach than appear to pander, which is the antithesis of leadership and which amounts to little more...

Author: /time Magazine | Title: WILL THE REAL BOB DOLE PLEASE STAND UP? | 11/20/1995 | See Source »

STEVE FORBES G.O.P. presidential dark horse vaults to No. 3 in New Hampshire polls on nothing but charm, grit and $25 million...

Author: /time Magazine | Title: Winners & Losers: Oct. 23, 1995 | 10/23/1995 | See Source »

...impressive clarinet work by Victor Goines took the energy of the band up to another level. The first half ended with two New Orleans-inspired pieces. First was Marsalis's "Slow Drag," a programmatic piece about the Crescent City after hours. Wycliffe Gordon's trombone growls exemplified the grit of New Orleans bordellos and, despite the dirge tempo, the piece thankfully did not live up to its name. Closing that set was "Second Line" from Ellington's New Orleans Suite...

Author: By John A. Capello, | Title: Swinging With Marsalis | 10/19/1995 | See Source »

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