Word: grizzard
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Dates: during 1970-1979
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...happens, it will not prove that in 20 years Odets has grown in stature, but only that people tend to remain, somewhat endearingly, the same. Jason Robards is the alcoholic ex-matinee idol trying to make a comeback, Maureen Stapleton is the wife to whom he clings, and George Grizzard is the young director with a shark-toothed hunger for fame...
...three instances the casting is perfect. Robards gives a performance for the theatrical memory book: vain, vulnerable, self-pitying, playful, hung over, a deposed Richard II of the Great White Way who wins back his crown. Grizzard is the perfect foil, an edgy Broadway Bolingbroke with a rapier for a tongue. Unfortunately, Maureen Stapleton still seems to be playing The Gingerbread Lady. She is a jittery bundle of nerves rather than the tough stoic she ought to be, and her matronly appearance short-circuits what should be an electrically charged love interest between her and Grizzard. Nonetheless...
...satire on the trappings and traditions of heroism. The hero, Harold Ryan (Rod Steiger), is part Odysseus, part Hemingway. Returning home after eight years of adventuring, he finds that in his absence his wife Penelope (Susannah York) has acquired a college degree, worldly wisdom and two dreary suitors (George Grizzard and Don Murray...
...opener was Miller's play A Memory of Two Mondays. It is a plotless, proletarian slice-of-life drama, but Jacqueline Babbin's production was a model of intelligent TV adaptation, and Paul Bogart directed a first-rate cast headed by Estelle Parsons, Jack Warden, and George Grizzard...