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...worth listening to. Black assumes the voice of an array of comic characters on the album, from a sex-obsessed buffoon on "Kielbasa" to a lonely Don Juan rock star on "The Road" (the latter has been praised for its veracity by no less an expert than Dave Grohl, of Nirvana and Foo Fighters, who contributes drumming on the record.) He also manages to parody a swath of celebrated musicians by incorporating their stylistic trademarks into his songs: Joni Mitchell's upward swoop, the keening harmonies of Crosby, Stills and Nash, and, on an slow, instructional song whose title...

Author: /time Magazine | Title: When Actors Rock | 8/30/2001 | See Source »

...American indie rock saga of the `80s were either in Nirvana or married to people in Nirvana. For that reason, the tenth anniversary of Nevermind comes attended by unceremonious squabbling. Courtney Love, Cobain's famed widow, is engaged in a court battle with bassist Krist Novoselic and drummer Dave Grohl over the rights to the Nirvana catalog, and that lawsuit looks as if it will prevent a Nevermind box set from being released this year. Such high- stakes legal brawls are worlds away from the scene profiled in "Our Band Could Be Your Life," in which SST, the most influential...

Author: /time Magazine | Title: The Bands that Made Nirvana | 7/31/2001 | See Source »

...band kept things interesting by constantly mixing up the tempo and combining their own songs in rhythmically tight medleys. Even the most diehard Foo Fighters fan would have been hard pressed to figure out just where one song ended and the next began. Grohl's almost unbelievable energy level pushed the seamless transitions further and further, leaving the audience wondering how long he could press...

Author: By Stacy A. Porter, CONTRIBUTING WRITER | Title: EVERYBODY PLAYS THE FOO | 12/1/2000 | See Source »

...crowd went wild for "Monkey Wrench," a pop-rage ballad off the band's second album which showcases Grohl's seemingly inhuman ability to scream without tearing his vocal chords. Even on the band's slower, softer songs like the beautifully intricate "Aurora," Grohl couldn't resist pumping up the pace and the volume. Indeed, the only time Grohl stopped slashing at his guitar, he lambasted the British press for publishing rumors of the Foo Fighters' eminent breakup and for comparing them to the constantly troubled Brit-rockers Oasis. Though there was no tension immediately apparent onstage, Grohl's insistence...

Author: By Stacy A. Porter, CONTRIBUTING WRITER | Title: EVERYBODY PLAYS THE FOO | 12/1/2000 | See Source »

...Grohl did, however, engage in playful banter with Taylor Hawkins, the band's long-time drummer and the most rock-starish of the Fighters, with his long bleached hair and penchant for dark sunglasses. The two duked it out on the drums at one point, answering each other's rhythms in an impressive, but somewhat self-indulgent display. For those who like the Foo Fighters' softer, more melodic side, the show came up a little short. But for those who value the band's ability to rock out and appreciate a touch of arrested adolescence, the concert delivered everything...

Author: By Stacy A. Porter, CONTRIBUTING WRITER | Title: EVERYBODY PLAYS THE FOO | 12/1/2000 | See Source »

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