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...MOMA) in New York City, which runs there until Jan. 25. It's a collective of fierce individuals and a continuing work in progress. But while the school may have been a group enterprise, it was largely the creation of one man. In 1919, the year it opened, Walter Gropius was a young German architect recovering from dual traumas--World War I and his turbulent first marriage to the formidable Alma Mahler. One of history's supreme narcissists, she betrayed her first husband, composer Gustav Mahler, by having affairs with both Gropius and painter Oskar Kokoschka. After Gustav's death...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

...when Gropius and Alma finally divorced, the exhausted architect was more than ready to turn the page. He had been invited years earlier to form an arts academy out of two existing schools in Weimar, the charming, tradition-minded little city where Goethe had lived. But very little about the school Gropius had in mind would be traditional. Instead of teaching students to imitate great works of the past, the Bauhaus entry course explored fundamentals like the material properties of wood and metal or how colors and forms operated within an image. Instead of focusing on painting and sculpture...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

...this park," says Aaron Fonville, 42, while watching a neighborhood baseball game on a recent Sunday. "I don't want to see anyone messing with its preservation." The $1 billion Olympic Village, meanwhile, is scheduled to replace a set of historic hospital buildings designed by famed German Modernist Walter Gropius - a plan that Jonathan Fine, executive director of Preservation Chicago, calls "cultural vandalism...

Author: /time Magazine | Title: Chicago's Olympic Dreams | 10/5/2009 | See Source »

...planners sought an egalitarian architectural style in sync with the socialistic winds sweeping through Europe. They turned to Bauhaus. Founded in Weimar in 1919, the International or Bauhaus style rejected the monumental wedding cakes, dripping with decoration, that prevailed in late 19th century architecture. The movement's leaders - Walter Gropius followed by Ludwig Mies van der Rohe - sought a new holy grail in design: the unity of form and function, expressed in ways that were modern, simple and sparse...

Author: /time Magazine | Title: Tel Aviv: Plain Beautiful | 6/3/2009 | See Source »

...socialite to appear with martinis. Taking the nautical look to extremes, a few Bauhaus buildings even have a row of portholes running along the side. The clean Modernist lines are usually set off by palm trees, or explosions of magenta and tangerine bougainvillea - a tropical extravagance of color that Gropius and Mies never would have dreamed of in their wintry Weimar. We trust that the dour old minimalists would have approved...

Author: /time Magazine | Title: Tel Aviv: Plain Beautiful | 6/3/2009 | See Source »

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