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John C. Reilly is one of Hollywood's best-kept secrets. Or, at least, he used to be. Tending to thrive in atmospheric ensemble pieces like Ulu Grosbard's Georgia and Lasse Hallstrom's What's Eating Gilbert Grape?, the actor's star has risen considerably by way of his self-effacing and understated performances in director Paul Thomas Anderson's first two features, Hard Eight and Boogie Nights. His acceptance into Hollywood pictures is a recent development, having begun with last year's baseball romance For Love of the Game continuing with Wolfgang Peterson's upcoming tragedy...

Author: By Rajesh Kottamasu, CRIMSON STAFF WRITER | Title: Reilly: Who's the Man? | 1/14/2000 | See Source »

Directed by Ulu Grosbard...

Author: By Adriana Martinez, CONTRIBUTING WRITER | Title: Pfalling Down | 3/19/1999 | See Source »

...Month, this is exactly the type of movie skeptics love to criticize. With its metaphorical title and periodic, less than subtle outbursts into sappy soundtrack land, The Deep End of the Ocean could easily have degenerated into a cliched and shamelessly melodramatic style a la Stepmom. But director Ulu Grosbard thankfully manages to avoid melodrama in most (though not all) scenes. This, along with excellent performances by Michelle Pfeiffer and Jonathan Jackson, convert the Deep End into a sophisticated and genuinely touching film which manages to be interesting without the requisite sex or violence scene. How innovative...

Author: By Adriana Martinez, CONTRIBUTING WRITER | Title: Pfalling Down | 3/19/1999 | See Source »

...little Ben in the care of his seven-year-old brother for a few minutes, and when she returns he has wandered off--or fallen off the end of the earth. A kidnapping scenario has the makings of melodrama or piety, but this carefully complex movie, directed by Ulu Grosbard, finds urgency in more ambiguous family vectors...

Author: /time Magazine | Title: Cinema: Ransom of the Heart | 3/15/1999 | See Source »

...movie, written by Leigh's mother Barbara Turner and directed by Ulu Grosbard, is a two-hander about the edgy relationship of show-biz sibs. Georgia (Mare Winningham) sings pop; she's famous and sensible, a caring mom and sister. Sadie (Leigh) sings barroom rock and thinks the way to be Janis Joplin is to do drugs, embarrass herself onstage and lurch toward an early, ugly death. At the mike, in the van, at the airport, she goes self-destructively, picturesquely nuts...

Author: /time Magazine | Title: CINEMA: SISTER, SISTER | 12/11/1995 | See Source »

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