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...fill the whole front page with politics if he could." There remain, to be sure, vestiges of the old home-town paper. Pictures of by-standers comforting the victims of car accidents still get put on page two. Violent headlines are the rule, even for routine items. But the grosser forms of parochialism have been removed...

Author: By Marion E. Bodian, | Title: The Globe Gets a Social Conscience | 4/10/1968 | See Source »

Heston's latest movie, Khartoum, in which he plays a sort of Grauman's "Chinese" Gordon (TIME, Aug. 5), is smashing records in Manhattan. Reruns of his The Ten Commandments are drawing so well that the film could become the second biggest grosser in Hollywood history, edging out his own Ben-Hur and nearing the $41 million record of Gone With the Wind. And that just counts the North American take. Overseas, Heston is an even bigger favorite. He is also taken seriously as an actor. Despite the critics' First Commandment-thou shalt not worship a graven...

Author: /time Magazine | Title: Actors: The Graven Image | 8/12/1966 | See Source »

...constructed around stage. Auditorium walls reshaped. Two-foot-deep "reflector box" constructed around stage apron. Air-conditioning units are muffled. Total cost: $335,000. Critics say echoes persist and bass has developed thudding sound. Consensus is that sound is warmer, but still nothing approaching that of Vienna's Grosser Musikvereinssaal, Amsterdam's Concertgebouw or Boston's Symphony Hall-all built before acoustics became a science...

Author: /time Magazine | Title: Acoustics: Scenario for Inexactness | 10/15/1965 | See Source »

...defensive backfield had its weak moments against Roberts' passes, but so does everybody else. Rick Beizer, Jerry Mechling. Tom Bilodeau, and Grana--the regular quartet--have made few mistakes (one of the grosser ones being the 78-yard Cornell touchdown) and many fine plays...

Author: By Steven V. Roberts, | Title: Crimson at Mid-Season: Will Love Be Requited? | 10/24/1963 | See Source »

Moral hypocrisy and human selfishness are no less favorite subjects of writers today than in other corrupt ages. Yet so often variations on this theme lapse into ponderous, and therefore ineffective, moralizing. But when our grosser sins, not only our foibles, are presented to us with wit and grace we take notice. Often the barbed needles of the comic writer pierce far deeper than the heavy blows of the ostensiby more serious dramatist...

Author: By Steven V. Roberts, | Title: The Busy Martyr | 7/5/1963 | See Source »

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