Word: grosso
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Dates: during 1950-1959
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...EVENING CONCERT. Mozart, Overture to Der Schauspieldirektor; Prokoviev, Quintet, opus 39; Beethoven, Concerto no. 4 in G for piano, opus 58; Schubert, Sonata in B flat, opus post.; Handel, Concerto Grosso, opus...
...almost a month by motor launch, native dugout canoe, truck, jalopy and a variety of barely airworthy small planes, visited scores of river towns, oil and mineral exploration camps, pioneer farms, mines, missionary stations and Indian villages deep in the jungle. Once, to photograph a tribe of Mato Grosso Indians, De Carvalho and Linck hiked nine miles through thick jungle and at dusk hiked out again, preceded by a native guide armed with a flashlight and rifle. At the camp of a seismographic crew, they just missed a battle in which seven Indians were killed during a surprise attack...
...problems he will face in preparing a Bach cantata for the next program. At any rate, the Haydn symphony (No. 8) performed on Sunday was charming, if slight, and an interesting example of a classical piece with baroque devices still hanging on. No. 8 is part symphony, part concerto grosso, employing a harpsichord and three solo strings; the solo'cello was played with particular suavity and grace by Lawrence Lesser...
Corelli: Concerti Grossi Opus 6 (Chamber Orchestra of the Societas Musica, directed by Jorgen Ernst Hansen; Vanguard, 3 LPs). An expert in the concerto-grosso form (where a group of solo instruments maintains a dialogue with an orchestral ensemble), Corelli was also the first to relax the strict contrapuntal style of his era, is shown in this recording to have mastered the full scope of string sonorities by making violins sound like a full-voiced choir...
...polyphonic concertos, marked Opus n by a recently discovered Italian Jesuit philosopher whose lifelong ambition was not to compose music but to become canon at the Cathedral of Trento. Bonporti (1672-1749), who remained an ordinary priest and died brokenhearted, abandoned Corelli's standard concerto-grosso form, loaded his dialogues between violins, violas and bass with such a personal, rhythmic melody that he became a forerunner of 19th century romanticism...