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...Indians Make It. The basic rules for preparing curare vary little over millions of square miles, reported French Ethnologist Jehan Vellard, who has watched the process in Brazil's Mato Grosso, and now works in Peru. The essential components are dissolved out of the roots or stalks with cold or tepid water, and the solution is concentrated by heating. The finished product is a gooey paste. Natives have no fear of inhaling its vapors or of putting their hands in it, and they judge its strength by the bitterness of a drop, which they nonchalantly taste...

Author: /time Magazine | Title: Medicine: Mysteries of Curare | 8/19/1957 | See Source »

...studio-recorded Toscanini music, Victor still has half a dozen unpublished recordings from rehearsals and performances approved by Toscanini during the last two years of his life and scheduled for release. They include Brahms's Double Concerto, Haydn's Toy Symphony and a Vivaldi Concerto Grosso. Toscanini's son Walter estimates that there are some 30 other approved recordings in Riverdale, among them the complete Romeo and Juliet music of Berlioz and the Second and Fourth symphonies of Sibelius. The recordings are the fruits of a plan RCA Victor worked out with Walter Toscanini...

Author: /time Magazine | Title: Music: The Toscanini Legacy | 3/18/1957 | See Source »

Temporarily belying its name, the group never-theless chose a program of three masterpieces, all of which were fairly well known but by no means hackneyed. For the G-minor Concerto grosso from Corelli's Opus 6, Senturia used a well-balanced ensemble of seventeen string players plus harpsichord. The group played with guts and gusto, though never forcing the tone. The precision was admirable and the intonation astonishingly accurate. But why, Mr. Senturia, did you decide to omit the final flowing pastorale movement...

Author: By Caldwell Titcomb, | Title: Bach Society Orchestra | 3/5/1957 | See Source »

...first great exponent of a form that was to inspire Bach, Vivaldi, and Handel, Corelli was to set the style for years to come for the Concerto Grosso. Yet, like all great composers, Corelli avoided a dogmatic conception of musical form, and within the twelve concerti of Opus 6 there are twelve different variations on the general slow-fast-slow-fast and fast-slow-fast shapes. Quadri elicits a lovely shimmering string tone from the English Baroque Orchestra. (Westminster...

Author: By Stephen Addiss, | Title: Baroque Albums | 1/25/1957 | See Source »

Although Ernest Bloch's Concerto Grosso for Strings and Piano Obbligato is a modern masterwork, it showed off the Orchestra's weakest section, the strings, and the performance was uneven. Bloch's incisive rhythms give the work an excitement and a tension that make it a perfect piece to try out on people who "don't like modern music." The final fugue, especially, builds and builds until only the most blase listener can remain unmoved...

Author: By Stephen Addiss, | Title: Music Festival | 12/11/1956 | See Source »

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