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Upon this premise, Appel cantilevers the argument that "Yes" versus "No" is the primary aesthetic division of the 20th century. He outlines a hypothetical, prescriptive bookshelf spanning the range of 20th century art. The "No" shelf includes Kafka, T.S. Eliot, George Grosz and the pantheon of Pop art, which emphasize chaos and mass hysteria in the modern age and the mob of mankind. This is the "No" that is countered by the affirmative "Yes" of Matisse, Lachaise, Brancusi and Delaunay, Joyce, Nabokov and Chagall, along with "Yes" shelfmates W. B. Yeats, Wallace Stevens, William Carlos Williams, Marianne Moore, Richard Wilbur...

Author: By J.c. Herz, | Title: Celebrating the Joy of Modern Arts | 10/15/1992 | See Source »

...addition, seven new members joined the council this year: Professor of Afro-American Studies K. Anthony Appiah, Professor of Chinese History Peter K. Bol, Assistant Professor of the Classics Cynthia Damon, Professor of Chemistry Cynthia M. Friend, McKay Professor of Computer ScienceBarbara J. Grosz, Associate Professor ofAnthropology Rosemary A. Joyce and Professor ofGovernment Gary King...

Author: By Joanna M. Weiss, CRIMSON STAFF WRITER | Title: ROTC Report to be Released Soon | 10/1/1992 | See Source »

...another discussion, McKay Professor of Computer Science Barbara J. Grosz urged section leaders to make special efforts to encourage female undergraduates, since women are vastly outnumbered in science concentrations...

Author: By Joanna M. Weiss, CRIMSON STAFF WRITER | Title: Bok Center Sponsors Teaching Orientation | 9/17/1992 | See Source »

...city was seen as the mill of oppression, grinding women down into whoredom and men into anonymity. German artists like George Grosz, Karl Hubbuch and the remarkable and still underknown Hannah Hoch imagined it as a grotesque theater, full of libido and irony -- the stage of a morality play, updated to reflect the postwar sense of despair. From Grosz in Berlin to Frans Masereel in Antwerp, an enormous iconography of city life -- its edginess, speed, compression, perversion, fixation on style -- developed in the '20s. The idea that the city is constructed of signs, of media and information overload as much...

Author: /time Magazine | Title: Art: Putting A Zeitgeist in a Box | 10/7/1991 | See Source »

Garber and Grosz say that, with Faculty Council support for the implementation plan, they hope efforts to increase female representation in the sciences will continue. The body's ringing endorsement "is to precisely not to let a long period in which no action takes place," Garber says

Author: By Lan N. Nguyen, | Title: Women in Science | 6/6/1991 | See Source »

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