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...German Jew who fled the Nazis, Lindner was exposed to the earthy expressionism of Max Beckmann and George Grosz, and he admired the smooth machine-surfaces with which Fernand Leger packaged reality. In the U.S., he developed an appreciation for advertising imagery as an illustrator...

Author: /time Magazine | Title: Artists: Baal Booster | 2/3/1967 | See Source »

Janssen's savage and savagely portrayed world is in many ways familiar. The lineal ancestry of brutish whores and demonic cripples, bloated dwarfs and twisted drunkards, perverted bourgeois and browbeaten soldiers can clearly be traced back to Durer and then down through George Grosz. In his wispy cloudlike sketches and pastels lurks the orchidaceous venom of Odilon Redon. In his zinc-plated etchings there are shades of Max Beckmann. One, entitled Klee and Ensor Fighting over a Smoked Herring, acknowledges the artist's debt to both...

Author: /time Magazine | Title: Art: The Newest Gothic | 1/20/1967 | See Source »

CABARET. Onto the sleazy canvas of a 1930 Berlin nightspot, the Kit Kat Klub, this musical squeezes the borrowed pigments of bloatedly satiric George Grosz cartoons, Brecht-Weillschmerz, and the black-gartered cinemantics of the Dietrich of The Blue Angel. A whale of a production but a minnow of a show...

Author: /time Magazine | Title: On Broadway: Dec. 16, 1966 | 12/16/1966 | See Source »

CABARET. Onto the sleazy canvas of a 1930 Berlin nightspot, the Kit Kat Klub, this musical squeezes the borrowed pigments of bloatedly satiric George Grosz cartoons, Brecht-Weillschmerz, and the black-gartered cinemantics of the Dietrich of The Blue Angel. The atmospherics make for a whale of a production but a minnow of a show...

Author: /time Magazine | Title: Television: Dec. 9, 1966 | 12/9/1966 | See Source »

ECCE HOMO by George Grosz. Grove Press. $15. Germany's savage satirist, who died in 1959, represented by some of his finest thrusts at pomposity and obtuseness. The drawings and water-colors done in the between-wars period reflect Grosz's deep pessimism as he watched the wavering fall of the Weimar Republic, with Hitler waiting in the wings of history. "Once you have glimpsed these corrosive portraits, these street and bedroom scenes," writes Author Henry Miller in a foreword, "you will never forget them...

Author: /time Magazine | Title: Books: Holiday Hoard | 12/9/1966 | See Source »

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