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...feminine in the face. Her coarse skin and irregular features express suffering, her eyes have seen the horrors of war. The work is a passionate attack on the brutality and stupidity of modern civilization. Just as forceful in its attack but far more humorous is the drawing by George Grosz called "Berlin Cafe" The bourgeoisie of the German capital is satirized with vitriolic fire. Portrayals of the sufferings of the lower classes appear in the prints and drawings of Nuckel, Burkart, and Kaethe Kollwitz. The handling is so subtle, the technique so skillful, that these pictures are far more than...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 11/16/1934 | See Source »

Like many a rebel against orthodoxy, George Grosz was a youngest child. His father was a restaurant owner, of the same solid bourgeoisie the son now satirizes. In the War, Grosz fought first in the Kaiser Franz Regiment, then in the 52nd, became a sergeant, was invalided without a wound...

Author: /time Magazine | Title: Art: Mild Monster | 6/20/1932 | See Source »

Newsmen soon found further points of Grosz normality. Said he: "American beer is quite nice, light, absolutely good. but not to compare with German beer." He has hobbies: carpentry, collecting etchings (Rowlandson and Daumier). He smokes a pipe, rarely a cigar. He is married, has two boys, aged 7 and 3, both quite normal...

Author: /time Magazine | Title: Art: Mild Monster | 6/20/1932 | See Source »

Burgeois Germany has crumpled before Grosz's terrible pencil, his contemptuous and exact eye. Frequent victims are bull-necked burghers, drunken women with raddled skin and pendulous breasts, fops with snub noses and muskrat mouths, gaunt marble-jawed soldiers, starving children, slatternmouthed old shrews. All are made contemptible, rarely laughable. The pictures look like a child's scrawls, full of scratchy, distracting detail. But critics perceive the basis of sound craftsmanship, understand Grosz's potent European influence. Knowing that satirists usually resemble their favorite object of satire, pupils at the Art Students' League were wondering which...

Author: /time Magazine | Title: Art: Mild Monster | 6/20/1932 | See Source »

...Satirist Grosz had opinions last week about the U. S. face (he had seen only Manhattan faces). He analyzed it as typically pale, thin and long, notably Puritan with heavy lines of violence beside the mouth, somehow suggesting the Amerindian...

Author: /time Magazine | Title: Art: Mild Monster | 6/20/1932 | See Source »

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