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...rotate the piece 90 degrees, as well as her near-complete color reversal (greens are pinks, and most symbolically, bright oranges become blues), speaks to multiple beliefs: the color reversal, to the historic mistreatment of black people in Western societies; the correspondence in shape, to a fundamental common ground between all peoples’ experiences. In short, Matisse may have gotten some credit where credit was perhaps not due, but this fact did not impede Thomas from either being inspired by or relating to his work. This notion is further illustrated by her second painting included in the collection...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: Davis Deals With Controversy Over Art in ‘America’s House’ | 10/16/2009 | See Source »

...through,” says Jennifer Peterson, the event’s organizer and an educator at the Museum of Natural history. “He took them off-guard and said, ‘Draw something.’ He really got a bunch of people on the ground who thought they would never do that...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Taking Artwork into the Streets | 10/16/2009 | See Source »

...anti-establishment, we’re left with a mix of strange emotions. The album builds up tension with its onerous layers of dissonance and noise, but ultimately provides no gratification. Catharis-seekers will find it tough to restrain the urge to bash the nearest guitar into the ground out of frustration...

Author: By Qichen Zhang, CONTRIBUTING WRITER | Title: Little Girls | 10/16/2009 | See Source »

...using the induction, the Project believes that makes “The Taming of the Shrew” more accessible; the play within the play takes place in Padua, but by setting this production in the tavern shown during the induction, the Project brings the show onto more familiar ground, which is enhanced by the remote feel of The Garage’s basement...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: A Modern Take on Shakespeare’s ‘Shrew’ Goes on at the Square | 10/16/2009 | See Source »

...Times of a Soviet Capitalist.” The authors of the essays and vignettes collected in “The Wall in My Head: Words and Images from the Fall of the Iron Curtain” agree on few things, but on this subject they find common ground: the world changed in 1989, and the peoples of the former Soviet Republics were wholly unprepared...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The ‘Wall’ in their Own Words | 10/16/2009 | See Source »

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