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Word: grounding (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Although little quarterback Carroll Lowenstein, a 5 ft., 9 in. Harvard great, completed 16 out of 33 passes for 250 yards and two touchdowns, all was for naught. Princeton, gaining 560 yards on the ground and in the air, tallied 63 points to hand the Crimson a licking it would not soon forget...

Author: By Michael S. Lottman, | Title: Harvard--Princeton Rivalry | 11/7/1959 | See Source »

...consists of 4,800 concrete slabs, each weighing 1,200 lbs, placed on steel-concrete girders. In the arena, which many still consider the best for viewing a football game, seats range in altitude from seven to 50 feet, and the top of the colonnade is 72 feet above ground. With temporary seats in the open end, the open end, the Stadium's capacity can be raised well above 40,000; the report of a 1929 meeting with Dartmouth puts the crowd at 60,000. In the entire structure there are 250,000 cubic feet of concrete--a mixture...

Author: By Michael S. Lottman, | Title: Nation's Oldest Stadium Has Colorful Past | 11/7/1959 | See Source »

...torrential wind and rain as they watched the home team put on its best defensive performance in years. Sharp tackling by wing-forwards Dick Williams and Dick Holmes stalled a New York threat in the second half and preserved the team's record of being unscored up on the ground...

Author: NO WRITER ATTRIBUTED | Title: Rugby Team Tops NYRC | 11/3/1959 | See Source »

After holding the Cubs on four downs, the Yardling eleven returned a punt to the 40. The visitors fumbled again, however, after a long ground-gaining attack. This pattern of kick and counter kick continued throughout the rest of the first half...

Author: NO WRITER ATTRIBUTED | Title: Yardlings Crush Brown, 20-6, After Three Scoreless Quarters | 11/3/1959 | See Source »

...years ago. Wright had proposed "one great space on a continuous floor," a gigantic, uncoiling drum of reinforced concrete that swelled outward as it rose, carrying within more than one-quarter mile of continuous ramps sloping upward six stories to a great glass dome 92 ft. above the ground. Paintings were to be tilted backward, "as on the artist's easel"; lighting would come from skylights above the ramp and would be reflected downward by louvers. "The net result of such construction is greater repose," Wright declared, "an atmosphere of the unbroken wave-no meeting of the eye with...

Author: /time Magazine | Title: Art: Last Monument | 11/2/1959 | See Source »

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