Word: grounds
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Dates: during 1970-1979
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...months. When we last remember leaving Dylan, it was amid no little confusion. History and myth, past hits and hints at new styles were tangled up in the touring Rolling Thunder Revue, the film Renaldo and Clara and the albums Desire and Hard Rain. Dylan was on shaky ground and knew it. The best moments of the period-the Revue and the concert footage in Renaldo and Clara-were a bow to the past, finding little support in Dylan's more recent work. The Revue, above all, indicated that it was time for Dylan to be moving...
...even if everyone on stage is working very hard and even if the set is gorgeous, Winterset somehow does not connect. Anderson was undoubtedly a major force, but his plays are better read than seen. The devices he used to break fresh ground in the '30s are old hat now; even if his themes of the injustice of American society and the innocence of Sacco and Vanzetti are true, they are buried in the inevitable and agonizingly slow lurch towards a mawkish, yet depressing conclusion. Anderson's plays are strongly reminiscent of another expression of his times-Socialist Realism...
...planned to break ground last October so we could finish the gym in time for the beginning of the Radcliffe Centennial this September. May be now we can dedicate it by commencement next year, at the end of the centennial," Wolfman added...
Borg scored five aces and 19 outright winners on his whistling serve; Connors was able to break service but once in twelve games. With Connors rocked back on his heels by the Swede's boomers, Borg, who normally takes root at the baseline and whittles away with topspin ground-strokes, moved to the net to volley Jimmy's returns. Until recently, the sight of Borg at the net was as rare as, say, a display of good manners by Ilie Nastase. But Borg charged to the front court frequently and effectively in his semifinal with The Netherlands...
...groupies. As the massed cameras clicked and whirred, and the crowd of connoisseurs looked breathlessly on, the bull glared at his mechanical bride and abruptly scrambled up on her. Then, with the weary expression of Porn Star Harry Reems working off his debts, Pinco ejaculated on the ground. So ended Paradiso's work of art, which was, in its way, emblematic of the Biennale: a captive beast (Natura) struggling to inseminate a fictive one (Arte) under the gaze of an impervious public...