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...Wire” because of its authenticity. And that reasoning also explains why white people have always had a soft spot for hip-hop/jazz/funk collective the Roots and why they’ll probably like their latest, “Rising Down.” The group??s music is “authentic;” it depicts the grim realities of inner-city life. Or so white people will tell you. But then again, the Roots once served as a backing band for Dave Matthews, and they’ve made a habit of playing...
...generate much enthusiasm, according to current council chair Zeba A. Syed ’09.Originally there were three students on the executive board and about 40 members in total. The council has since been revamped and now organizes community service events, and socials, as well as panel discussions. The group??s membership list currently includes over 600 students with seven members serving on the executive board.During National Interfaith Awareness Week, each day at noon a different religious group held a public service in front of the Science Center. Syed said that one of her most significant personal moments...
...academic requirement.“It was something that you had to do but it was so full of life and so wonderful and so unforgettable,” she says.The production marks a change for TEATRO!, the Spanish-language drama company that Harvard students founded this year. The group??s first play was more canonical and far more serious: Federico García Lorca’s tragedy “Bodas de sangre” (“Blood Wedding”).“We thought we’d start with a foundational text...
...Without a cultural groundswell like that of the original Bristol scene to inspire a new direction for the sound, Portishead seemed destined to gather dust alongside the decade’s other forgotten greats. Which wouldn’t be so bad—the group??s debut, 1994’s “Dummy,” is one of the most lauded albums of the genre, not to mention the decade. Heavy with lush, sexual bass lines and cinematic string arrangements, “Dummy” brought a sultry sort of half-humanity...
...more ribbons.” Last year’s adaptation of “A Tale of Two Cities” replaced the guillotine with barber’s scissors, echoing the story of Samson and using hair as a symbol of the French aristocracy. In the group??s 2002 production of the Shakespeare classic “Julius Caesar,” the title character died of a paper cut. The cast, recruited through the Harvard-Radcliffe Dramatic Club’s Common Casting, began rehearsing three weeks before the show. Because many of Sunken Garden?...