Word: group
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Dates: during 1930-1939
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John Sloan's place in contemporary art is so thoroughly accepted that he is in danger of being taken for granted. Gallery-goers find it hard to realize that his atmospheric, human scenes of pre-War-I Manhattan were damned as paintings of "The Ashcan School" when his group of realists held their first show in 1908. Last week he summed himself up: "I never thought of one of my good pictures as art while painting it. Whether it was art or not, it was what I wanted to do. . . . I am grateful to have lived this long...
...Wichita (Kans.) Museum of Art was the purchase of John Sloan's Hudson Sky, painted in 1908, one of eight canvases by leading U. S. artists that will serve as nucleus for the museum's projected gallery of U. S. painting. *GIST OF ART - American Artists Group...
Last week FORTUNE published the first (of a series of) findings. Obtained by the FORTUNE SURVEY'S method of scientific sampling, these first results were somewhat experimental (it is harder to calculate what is a scientific cross section of business than to poll members of each age group, geographical group, social group, etc.) Findings on this first attempt...
...years politicians and reformers have kept U. S. business in the doghouse. It was reputed antisocial, partly because of a few unsavory incidents, but mainly because the prosperity of the 20s did not last forever. It was tacitly assumed that businessmen as a group were reactionary. But neither the few who spoke for business nor the many who spoke against it had much if any evidence of what businessmen really thought. Recently FORTUNE decided to find...
Exemplifying this trend is Ernest Fiene, German-born American painter. His oil, Night Shift, strongly protests against the humanity-stifling power of industry and its ever-increasing tendency to draw the life-blood from the individuality of the laborers. We see a group of shabbily-dressed workers slowly trudging toward the mines and factories where they are about to assume their tiresome and cog-like duties at the machines. The artist accentuates the depressing atmosphere which pervades the lives of these men by using as a background grim, grey chimneys and buildings, in addition to a cold, solid, winter...