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...both weird and unattractive. Hathaway, whose character moonlights as an unsympathetic accent-swapping phone-sex operator, should have had the opportunity to flex her acting muscles—as she did in “Havoc” when she loses her top and has group sex with Hispanic gang members, thus shedding her persona as “Princess Diaries” sweetheart. Hathaway can do much better, and so could the veteran Julia Roberts—she’s not even trying in “Valentine?...
Field Music is a band striving for reinvention. After a self-imposed three-year hiatus, the group has returned with new members and a new sound for their latest album, “Field Music (Measure).” Afraid of boxing themselves into an indie pop corner, Field Music has taken their new record as an opportunity to explore a wider range of style and sound. While the effort to diversify certainly helps develop a degree of ingenuity and surprise, the album’s almost schizophrenic nature is at times confusing and strangely unsatisfying, despite its undeniable musical...
...struggles to remain cohesive. The band’s decision to explore and indulge all of their musical interests prevents Field Music from putting together what could have been a great record. Nevertheless, the group’s raw talent and invention will certainly identify and define the group amidst its indie pop peers...
Outside of these benefit performances, other Harvard artists are donating ticket sales to assist the victims of the Haiti earthquake. Two of the a capella groups on campus, the Harvard LowKeys and the Harvard-Radcliffe Veritones, donated 15% of their earnings from last Saturday’s “Frankly My Dear, I Don’t Give a Jam” concert to PIH. From the 6th to the 11th of February, the Hasty Pudding Theatricals also decided to contribute 25% of their proceeds from group discount tickets to Harvard for Haiti. However, Producer Stephen L. Rola...
With such a group of stellar musicians, the Monterey Jazz Festival On Tour is a clear recipe for success—instead of throwing together a few virtuosic performers with overinflated egos, it showcases a clear model for interactive, thoughtful and creative jazz. Though the concert was rather safe, with a ‘high art’ undertone that went against the grain of the music itself, the interplay between the musicians was inspiring and fresh, providing hope for big jazz concerts to come. Let’s hope they swing this hard the next time around...