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...film centers on a nostalgic trip to a ski resort, where the group hopes to relive the bacchanalian days of their youth. “We were young, we had momentum,” laments Cusack’s character. Surprised to find the entire town rundown and decrepit, they console themselves with alcohol, drugs, and a mysterious hot tub. In the morning, they wake up in 1986, which the film recreates in painstaking detail. There are a number of funny references to Poison, “Miami Vice,” Jheri curls, Ronald Reagan, and when MTV actually...
...group sets out as their younger selves, reliving their past. Fearing the butterfly effect, though, they attempt to recreate events exactly as they had happened before. Throughout the entire film, the actors are shown in their mature, present-day bodies, despite everyone else in 1986 seeing them as adolescents. Director Steve Pink occasionally cuts between the actors and their younger reflections in mirrors in a sight gag used to great effect, for instance, reminding us of Nick’s ill-advised Kid ‘n Play haircut. Jacob, however, having not been born in 1986, remains...
...courses, but if a student wants to pursue graphic design in the future, VES studio courses are still a helpful foundation,” said Paula Soares, Manager of Academic Programs for VES. Further, the Office of Student Life, which boasts a list of over 413 officially recognized student groups, does not include a single student group explicitly focused on graphic design. The best resources Harvard has to offer its graphic designers are free software downloads: both Adobe InDesign and Adobe Photoshop are offered to students by Harvard’s FAS Information Technology...
...creative process used to develop these images varies slightly according to the type of event and the preferences of the student group hosting it. When creating images for theatre posters, Ding said, “I’ll drop by the rehearsals and talk to the directors to get a feel for the show.” For Hsieh, the cultural board of CSA tells him what kinds of images they have in mind for a given event, and then he creates three or four designs based on their input. “It’s a collaborative...
...self-described “post-Americana” group is a logical extension of his experience at the Kennedy School, Khuri explains. “The Kennedy School did a great job of urging me to contribute,” he says. “But I found that working in a bureaucracy turned out not to be the best way for me to achieve that. I wanted to connect on a more direct level, and I found that the best way I could do so was by playing music. If having that one-on-one connection means just...