Word: grouped
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Dates: during 1950-1959
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Since 1943, the New York Couture Group Inc., a promotion outfit for 36 top U.S. women's wear manufacturers, has operated under a system of releasing the news of women's fashions to the entire press at the same time-a procedure that protects out-of-town newspapers against premature release of fashion stories by papers in New York, where the big fashion shows are held. Every summer the group conducts a "press week," with showings of the next fall and winter fashions; again, in the winter, the styles for the following spring and summer are trotted...
...Herald Tribune's Women's Feature Editor Eugenia Sheppard sparked a short-lived rebellion by breaking a fashion story before press week. An emergency luncheon meeting of fashion editors and Couture Group representatives was held at "21," and the revolt ended after what Columnist Sheppard still recalls as "the time I was served up on toast...
This year the Times decided it had had enough: it ran a story about this fall's fashions long before the press-week release date. Pink with rage, the Couture Group sent "pledge cards" to editors, asking them to observe the release rules. When the Times refused to sign, it was barred from the group's style shows. Unperturbed, Elizabeth Howkins tapped private sources, last week ran a story about next spring's styles (heavy on geometric designs, skirts like "deflated melons"). "It's ridiculous," said Editor Howkins, "to observe such release rules." To that, newsmen...
...massive calm and his usual appearance of a battered but unbowed Buddha. From his apartment on Manhattan's fashionable Sutton Place (nine rooms, five TV sets), Kintner Cadillacs to work in the RCA Building by 8:10 each morning, spends at least half of his twelve-hour day group-thinking with the network committees populated by his 39 vice presidents. Few below NBC's top level know Kintner; unlike his chic, gregarious wife Jean, 42, he is not fascinated by his on-camera employees, rarely attends company parties for talent. He keeps a neat, boomerang-shaped desk...
...weighty (28 articles) survey of U.S. culture. The U.S. architecture is "poetic, structural, febrile." Abstract art now powerfully expresses U.S. imagination-"sometimes grotesque, often naive, but never pale, never passive." Realism, by contrast, seems now "like a political party defeated in a landslide." As for U.S. patrons: "No social group in history has been so willing to spend money on the arts and sciences...