Word: grouped
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Dates: during 1960-1969
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...course, plenty of other good techies (and actors) worked with that group, but not exclusively. Lighting lady Sara Linnie Slocum, Kirkpatrick, and others were independents...
Working fairly consistently with Mayer at Agassiz both summer and winter, Cutler feels he and others of the group developed artistically by building on what went before; each set was an opportunity to make a "new space" in that loveable but limited theatre. From his Plebians Rehearse the Uprising (May, 1967) to his tow-storied Midsummer Night's Dream (July, 1968) set ("a poor man's architecture, not a framework"), Cutler has been highly conscious of progression within the company...
...Loeb has a reputation for cliquishness that persists year after year. The other day one Cliffe was overheard warning another who had just been cast in a mainstage production, "Just don't become a Loebie." And as a freshman I was warned against the evils of the "in-group," which supposedly would not let a newcomer rise above the level of 3rd assistant prop...
Clique or not, that certainly was a terrifyingly impressive, distant and coherent group of people. It was the same Tim Mayer-Thomas Babe directed group that Howard Cutler worked with, and included comedian Stephen Kaplan '68, stage manager Victoria Traube '68, and producer and HDC president Honor Moore '67, Peter Jaszi '68, and Michael Boak '69, among others...
...Cutler said, working with the group long enough allowed thing to be built on what had been done before. They developed a "vocabulary" for working with Agassiz' small stage--the false proscenium, thrusts and rakes--all of which have served heirs to the stage...