Word: groups
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Dates: during 1980-1989
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...contrast, the opening act spent its 40-minute set proving that it should have stayed in Texas. Jason and the Scorchers played a number of painfully bad songs, all in the same chord, and the group left the audience numb with fear. This garbage band did its best to sound like outlaws of rock 'n' roll, but despite lead singer Jason's 10 gallon hat, The Scorchers more resembled Megadeath than Tom Petty. But their set wasn't a total loss; the guitarist had some mean tattoos...
...some troubling questions. Why did Giroldi refuse to turn Noriega over to the Americans? Why was the only communication between the conspirators and the U.S. through the wife of one of the plotters? And most importantly, should the U.S. have entrusted American lives and prestige with such an unsavory group...
...first part consisted of a series of official Affirmative Action representatives in each department, whose responsibility would be to effect change from the inside. The second part was that these representatives would meet as a group, forming a Standing Committee of the Faculty on Affirmative Action, which would evaluate all the departments. These first two elements would be the key to establishing the needed departmental accountability. An assistant dean (the third part) would chair this committee and coordinate its actions. The members of the MSA believed this was a step in the right direction...
There is hardly any agreement on which, or even how many, news photos belong in this group of photojournalistic icons. The editors of TIME have chosen ten, shown on the following pages in rough chronological order. Photography experts and working photojournalists were consulted, but in the end the selection is TIME's. Many readers will disagree with the list. That is to be encouraged. But look at these pictures. Pass them around. Put them on display. Argue about what they mean. That's photojournalism...
...fray. By the end of the '70s, color photos of the week's events had become the staple of TIME and Newsweek, which had moved into the void left by the collapsing picture magazines. For many traditionalists, color marked a final capitulation to the values of television. But a group of younger photojournalists would begin to paint the news in bold colors. Like the U.S. after Viet Nam, these new practitioners were no longer satisfied by the old certainties...