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...family. Gielgud's son, who is his fantasmagoria becomes a monstrously callous and emotionless lawyer and husband, is played with cruel, aristocratic brilliance by Dirk Bogard; the casting could not have been better. Ellen Burstyn, meanwhile, does not quite convince as the lawyer's wife; she's supposed to growl like a trapped domestic pet and take gleeful pleasure in taking on a lover to spite her husband, but somehow Burstyn comes on like Dinah Shore trying to play Mrs. Robinson in The Graduate. The performances, however, are really peripheral to Resnais' fascination, haunting insights into fantasy, conveyed both...

Author: NO WRITER ATTRIBUTED | Title: FILM | 5/12/1977 | See Source »

...always, that fifth season-"mud" -oozed through Vermont and New Hampshire, where the coo of the mourning dove gave way to the growl of four-wheel-drive vehicles pulling unsuspecting travelers out of the region's annual goo. The 949 frugal residents of Plainfield, Vt., authorized a study to see if they should keep their dirt roads-potholes and all-instead of paving them with expensive, and unprofitable, asphalt...

Author: /time Magazine | Title: SEASONS: Spring: It's Lethal and Lovely | 4/18/1977 | See Source »

Caldwell can shriek at the chorus, growl at the stagehands, spit fire at a careless secondary singer, but usually will serve sweet honey to her soloists. She solicits their advice and often takes it. During rehearsals for Barber, Bass-Baritone Donald Gramm said that it might be fun if the glass in his hand broke as Sills hit a high C in the lesson scene. Caldwell loved the idea and put it in. "As both conductor "and director, I am very much aware that it is those people up there doing it onstage," she says. "I can help them...

Author: /time Magazine | Title: Music's Wonder Woman | 11/10/1975 | See Source »

...just won't work if you try to sass it up or modernize it for Broadway." This is easier said than done, especially in scoring the work; only Joplin's piano edition has survived. Schuller's orchestration radiates not just the ring of authenticity but the growl and wail as well...

Author: /time Magazine | Title: Music: Scott Joplin: From Rags to Opera | 9/15/1975 | See Source »

...curious blend of sophistication and primitivism in Elton's assertive piano style that makes it an instantly recognizable musical signature-as unmistakable in its way as a Beach Boys harmony or Joe Cocker's sandpaper rasp. Elton's own voice is a supple instrument. He can growl like Mick Jagger or sing an insinuating lyric plaint. He writes for himself­not surprisingly ­with supreme correctness, confidence, even elegance. To an unusual degree, he is the only one who can effectively sing the songs he writes...

Author: /time Magazine | Title: Elton John Rock's Captain Fantastic | 7/7/1975 | See Source »

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