Word: growling
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Dates: during 2000-2009
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...Lyrics came to him. "Son, she said/ Have I got a little story for you." Vedder rushed back to his apartment, wrote three songs and recorded himself singing the lyrics over the melodies. Vedder sent the demo tape back to Seattle, where bassist Ament listened to the deep, intense growl of the California stranger. As he recalls that day in Rolling Stone, he played the tape three times, then picked up the phone. "Stone," he told his pal, "you better get over here...
...such. It's reminiscent of one of Tom Wolfe's billion-footed beasts, but it's even more reminiscent of the socially conscious early 20th century naturalism of John Dos Passos and John Steinbeck. Fittingly, Frey uses a hard-boiled, under-punctuated, Hemingway type of nonstyle that seems to growl, I'm giving you the straight dope here, son. (A sample: "They lived in a small town in an eastern state it was nowhere anywhere everywhere, a small American town full of alcohol, abuse and religion. He worked in an auto body shop and she worked as a clerk...
...fashion of “Modern Times” left them totally inert. Danger Mouse brings new ears and a new context to the band, and for the most part they embrace it and execute it well. But it’s difficult not to hunger for the shaggy growl and feedback-warped abandon of their finest work. Whether they take this extra momentum forward to future work remains to be seen, but if not, “Attack & Release” will still stand as a strong and adventurous experiment for Akron’s finest...
...star bulk, physically and psychologically. Beyond the stupendous torso, he gave the impression of thinking out his dialogue before he spoke it; he was a pensive glamour boy. Like fellow postwar stars Kirk Douglas and Burt Lancaster, he'd tense his neck muscles and speak in a sonorous growl that brought authority and menace to his speeches; he could make piety sound robust. But where Lancaster and Douglas were kinetic, bursting with restlessness, Heston was essentially static - not so much statuesque as a statue in some audio-animatronic hall of Heroes. He stood and he spoke. That's why screenwriters...
During Lucie’s life, Holding stomps around, delivering most of her lines in a low-pitched shout that fades to a growl, one which seems occasionally excessive until the play’s final scenes. When Lucie is dead, she moves gracefully. Her hair, previously bound in a bandana, is set free, and her voice is soft and happy. This contrast makes all the preceding acting choices understandable and adds to the play’s elegiac feel...