Word: growls
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...also known for his gentle patience with misfits. He is widely regarded as a conservative, an enemy of much modern art, but he will cogently defend its vigor and experimentalism. Though he knows and likes his job as only a professional can, he has been heard to growl: "God, how I hate...
Museum of Modern Art, still another kind of composition for tape recorder was unwound: Low Speed, Invention and Fantasy in Space by Otto Luening and Sonic Contours by Vladimir Ussachevsky. Out of the loudspeaker came the sound of a flute-but a flute that could growl like a bassoon, or thunder like the trump of doom, as well as chirp like a bird-and the sound of a piano that seemed to accompany itself with organ tones. Haunting both instruments was a maze of echoes and pulsing overtones...
Otto Dix is a German painter. He likes to growl, "I'm not so tender." And in pre-Hitler Germany he showed what he meant: cynical portraits of German prostitutes and socialites, gruesome oils and etchings of World War I. The Nazis didn't like the Dix kind of thing at all; they considered his powerful paintings deliberately calculated to spread despondency and alarm. They labeled him an "artistic degenerate," kicked him out of his art professorship at the University of Dresden, and destroyed all the Dix pictures they could lay hands on. Dix retreated to a German...
...Russian athletes competed in the winter Olympic games, but Russian "observers" were all over the place. At first they were content to pop off about the superiority of their home-grown athletes. Toward the end of the games, perhaps warming up for the summer Olympics, they began to growl about a "behind-the-scenes deal, so evident that even the bourgeois Norwegian press was forced openly to take notice...
...himself, but his marginal scrawls often ran almost as long as the article. Another prejudice-against the traditional two-line* "he & she" cartoon-led to the one-line caption, sharpened by a dozen rewrites. Ross was as captious about cartoons as about stories. Looking at a cartoon, he would growl: "Who's talking?" A character had to have his mouth wide open so the reader would know instantly who was talking. Though his profanity was as natural and unconscious as his breathing, he was puritanical about the printed word. He even barred such words as "armpit" and "pratfall...