Word: grownups
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...arts and media editor, Collins will indulge his passion for culture -- high and low -- full time. A film addict, a native New Yorker who spent his adolescence in downtown jazz clubs and whiles away his grownup years at the opera, Collins brings an intellectually charged hipness to TIME's cultural coverage. "I'm interested in what you might call the culture business and the decisions that are made at movie studios and publishing houses and record companies that affect what people see and read and listen to," he explains...
BACK IN THE PALEOCAPITALISTIC ERA, as long ago as 10 years, anthropologists studying the breeding, feeding and plumage patterns of Wall Street concentrated on carnivores -- called gunslingers -- grownup frat boys in yellow ties and red suspenders who peddled junk bonds, drove BMWs and bought $2 million co-ops on Manhattan's East Side. Forget them: today they're fuddled old greedsters sitting around in their East Hampton beach houses wondering what happened...
...director saw Fiennes in the TV film A Dangerous Man: Lawrence of Arabia and then in a remake of Wuthering Heights. "His Heathcliff," Spielberg says, "was a feral man, a kind of grownup Wild Child." He met Fiennes and tested him for Goeth. "Ralph did three takes. I still, to this day, haven't seen Take 2 or 3. He was absolutely brilliant," the director says. "After seeing Take 1, I knew he was Amon." In Fiennes' eyes, Spielberg says, "I saw sexual evil. It is all about subtlety: there were moments of kindness that would move across his eyes...
...evil." And in which a despondent Lelaina, seeking solace from an 800-number therapist, wails, "I can't evolve right now." The movie bobs along on this stream of funny offhandedness, never losing its balance. If it's 10 o'clock, and you want to know where your supposedly grownup children are, this is a good place to look for them...
What's next on the grownup's drawing board? Gale admits an aversion to ornamental trimmings like chrome, opera windows, whitewalls and wire wheel covers. "Personally," he says,"I'd nuke veneer interiors." But he confesses to finding some new inspiration in the pure American classics like the Cadillac touring cars of the 1930s. "I don't want my drivers to be thought of as flashy, opulent and dumb," he says, "but smart, bright and responsible." What kind of a look might that be? "What else?" says Gale, maybe seriously, and smiles. "Maybe cab-backward...