Word: grownups
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...improbable art of creating cars that thrill. The most successful California designs have been tough-but-smart, fun-but- practical Middle American vehicles (Toyota's Previa minivan, Nissan's Pathfinder, Isuzu's Trooper and Amigo) or else sports cars that temper the species' inherent sexiness with a certain grownup decorousness (the Celica, the Miata...
...hyperkinetic nerdiness was irresistible to millions of children. Pee-wee Herman was a grownup version of little brother: winsome, goofy, capable of saying dumb things and beatifically happy with the panorama of this world. When Pee-wee talked to inanimate objects, like chairs, they talked back, which, as everyone under 10 knows, is just what they are supposed to do. This man-boy with the tight suit, googly eyes and lipsticked mouth was not every parent's cup of tea: add a leer and the little guy could pass for the emcee of a Berlin nightclub, circa...
Baby-Sitters was the brainchild of Jean Feiwell, editor in chief at Scholastic Inc., which publishes juvenile books. She noticed that tales with the word baby-sitter in the title sold well to young girls eager for that first taste of grownup responsibility. The club members -- now totaling seven -- and their experiences in fictional Stoneybrook, Conn., were created by Ann M. Martin, a former schoolteacher and children's book editor. Scribbling on yellow pads from 8 a.m. to 6 p.m. daily, the 36-year-old author, who lives in Manhattan with her cats Mouse and Rosie, turns...
...film Metropolitan, the setting will be instantly familiar. This large, chastely furnished library, in a town house on Manhattan's Upper East Side, was where the callow preppies of "Sally Fowler's rat pack" were filmed during their postdance gabfests. On a Wednesday evening the place is filled with grownup baby boomers, many of them huddled at a small bar near the door. But the talk, for the most part, isn't about Hamptons and debentures. A petite blond writer in an electric red dress speculates for a guest about what might happen at National Review now that Bill Buckley...
...standard kidventure picture, doesn't it? But that judgment reckons without the transforming power of animation, which in this case offers a fascinating study in contrasts. The setting is the Australian outback -- vast, empty, rendered in subtle pastels and often seen from radically high or low angles -- where only grownup man, the poacher, is vile. The film's designers speak of Gustave Dore as an inspiration, but their use of geologic mass may also remind viewers of the Creation sequence in Fantasia. And their vision of the eagle recalls Fantasia's prehistoric creatures...