Word: grownups
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...another article this week, I wrote about the dearth of strong roles for women in today's movies. Well, the women in Grindhouse are strong, indeed macho, and I'd love to see that as a good thing. But except for McGowan, whose grownup sultriness gives her character some emotional heft, the women here are voluptuous stick figures, living out a guy's idea of excitement. I think that many American filmmakers of the past 30 years have this view of women: comic-book superheroes; Ultra-man with breasts...
...years, touting its parental controls and simple design: the five-button Firefly handset lacks even a number pad. Disney launched its mobile service last year, featuring a child-tracking function that works only on the Disney-branded handsets. Kajeet, on the other hand, thinks kids can handle a grownup phone...
When I first started reading Cosmo—mostly on trains and planes as a teenager—every glossy page fascinated me. I wondered if this was really how glamorous grownup women lived: Fashionistas in three-inched heels who, in between their high-flying jobs, rock hard abs workouts and French manicures, managed to make time for to-die-for sex with their smoking hot boyfriends...
...Harris wants to shift the audience's take on Lecter from horrified fascination to pity, or sympathy, or empathy. Hannibal Rising is his most explicit defense: not guilty by reason of insanity, with its roots in a childhood trauma. [That's plausible,] but a lot less interesting than the grownup spectacle of the super-Mensa, super-crazy Hannibal in the first two books. To explain Hannibal is to remove the reason for his tenacious, voracious hold on readers: his otherness - odious and seductive, and unexplainable - by delving into his past. As the good doctor himself argued (in Silence): 'Nothing happened...
...22nd volume - is to see Eisner shift within genres and tones. One week's story might be a melodrama, the next a comedy, the third a parable. But beyond the variety of stories was a striking visual consistency: the tone was bold, dark and mature - a grownup vision, compared to the adolescent world-view of the standard superhero strip. To quote Feiffer: "Will Eisner was an early master of the German expressionist approach in comic books - the Fritz Lang school. ?Muss 'Em Up' was full of dark shadows, creepy angle shots, graphic close-ups of violence and terror. Eisner...