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When the Franco-British grocery and newspaper baron Sir James Goldsmith bought the French weekly L'Express in 1977, he promised to leave editorial policy in the practiced hands of Editorial Director Philippe Grumbach whose center-right leanings contributed to the magazine's close ties to President Valéry Giscard d'Estaing. But a year later, says Grumbach, when it looked as if a Socialist-Communist coalition might come to power (it did not), Goldsmith began shopping for an editor more sympathetic to the left. Grumbach was kicked upstairs into an executive job sans power, secretary...

Author: /time Magazine | Title: Press: The Right to Edit | 2/26/1979 | See Source »

...Grumbach sued, and last month a French court found that he could not be dismissed summarily for his politics. Citing France's work code and its unique clause de conscience, which allows journalists to resign with full severance benefits if a politically hostile owner takes over their publication, the judges awarded Grumbach some $500,000 in back pay and indemnities. The decision sets no precedent under French law, but the size of the award is seen by some journalists as a sign that the courts may be on their side in ideological disputes caused by ownership changes. That...

Author: /time Magazine | Title: Press: The Right to Edit | 2/26/1979 | See Source »

...Mime's Eye, directed by Kevin Grumbach '79-4, explores the possibilities of several different styles. Working with a cast of five mimes, Grumbach developed nine pieces which are accompanied by an original score composed by Robert Kyr, a composer-in-residence and junior fellow at North House. The show uses a variety of corporal techniques, from the pantomime of Marceau to a classic, dramatic piece inspired by the festive tradition of the Italian commedia dell' arte...

Author: By Katherine P. States, | Title: Between Dance and Drama | 2/22/1979 | See Source »

...Mime's Eye, one of very few student shows that consist entirely of original work, brings to the Harvard stage some excellent mime by Grumbach and his cast, as well as some new work from a recognized young composer. It is an ambitious project and a provocative evening of theater...

Author: By Katherine P. States, | Title: Between Dance and Drama | 2/22/1979 | See Source »

Raene Rau as Clarisse just doesn't have the vocal power necessary for her crucial outburst against Teddy, but in general she tries very hard to make her character believable and sympathetic. Marilyn Chan as Cheryl is simply lost in the shadow of Grumbach, managing to look attractice and little else. Bruce Rodgers as Clark looks like a preppie who walked into a Wild West show by mistake...

Author: By Joseph B. White, | Title: An American Nightmare | 8/18/1978 | See Source »

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